Pablo Picasso. Self-Portrait. 1907. Oil on canvas. The formal and visual elements most utilized, recognizable, and original in Pablo Picasso’s Self-Portrait 1907 are line, texture, time, and color. As far as principals of design go, emphasis on proportion and scale of certain features makes them stand out, thus enhancing the expression of his face.
I chose this artwork because the simplicity of the painting, especially the bold use of line, is appealing to the eye and looks like something I’d draw. It appears as though Picasso started the painting with a heavy outline describing and exaggerating the shape of the head and its features, then went on to fill in the body and background. The lines outlining the eyes, cheekbones, and nose are much heavier than the lines making up the mouth. Perhaps this is because he saw himself as more the observer who expresses himself better through his art than through his words. With the eyes and nose overstated, the expression is one of curiosity and constant awareness, as well as optimism and enjoyment. Picasso makes great use of directional lines in this self portrait.
His forehead slants at the same angle as his jaw and ear, collar, and lapel. His hair is combed at an angle that matches with the neck, left cheekbone and collar. His right cheekbone is a continuation of the line representing where his shirt buttons up which also matches the line of his left lapel. It looks like he drew the cheekbone and simply lifted the brush and then put it down again to form the center shirt line. Also, the bottom of the nose curves up identically to the mouth and the ear curves in the same shape as the entire head. The texture of the painting is rough and gives the feeling that it was done in haste.
The Essay on Picasso Movie Paintings Painting Pieces
The Mystery of Picasso The strokes, the marks, the black, the white, and of course the colors-amazing! Pablo Picasso was a true genius in his artwork. I have always thought of Picasso as a great canvas painter, but in this video he proved and exceeded my expectations in being able to work with anything and everything on a very tight schedule set by the camera man. Art should not have such strict ...
To me this communicates more emotion than something soft, refined, and above all more realistic. It’s as if he was pressing hard on the canvas with the intention of creating a raw image of himself. The texture shows the way his hair is combed in a very interesting way. The texture on his jacket almost resembles pine needles. It has a much more spontaneous feel than previous self portraits he did, though all of them do properly express emotion. The ones previous had a larger blue element to them, communicating depression.
Beginning with almost all blue, then blue and orange in 1906, and finally almost all orange in 1907. Classic cool and warm themes. In the self portrait of 1907, he is wearing a light blue shirt and the background is dark to light orange. The dark orange of the background to his left and the light orange of the background to his left seem to suggest that the dark times are behind him and better ones lay ahead. One interesting aspect of the painting is the way Picasso has positioned himself on the canvas. It’s off-center in such a way that it forces you to look at everything within the painting.
This painting has all the formal elements if you look for them and represents emotion clearly. The simplicity and complexity merge in a way that makes it easy to understand why Picasso’s work has always been so universally popular. The optimism shown in this painting as compared to previous self portraits makes it a message of hope and gives the viewer insight to the life and times of Pablo Picasso, making it a true self portrait. Summary of: “Pablo Picasso” By Robert Hughes. Time magazine.
Monday, June 8, 1998. It is well known that no one measures up to Pablo Picasso’s status as an artist in the 20 th century. In fact, no other artist had such a mass audience in their own lifetime as Picasso. Personally, he was superstitious, sarcastic, charming, and misogynistic. No other artist captured the attention of the mass media like Picasso. A 20 th century artistic movement Picasso didn’t inspire or create was scarce.
The Essay on Pablo Picasso ‘Girl with a Mandolin’- Cubism Movment
In 1907, Pablo Picasso and Georges Braque founded the art movement known as Cubism. This style of painting revolutionised modern abstract art during the 20th century. Pablo Picasso was a Spanish Painter who was born in the 19th Century. His talents were recognised at an early age for his realistic technique. During his adolescence his painting style changed drastically as he experimented with ...
He had much influence on the early work of many a great American abstract expressionist. Picasso and Braque co-created the collage and cubism. After referring to Braque as his wife, Braque left and Picasso was a loner for the rest of his life, not making friends with Matisse until he was very old. His close relationships were generally with poets and writers. While he was viewed by the public as a modernist artist, Picasso was detached from most of modern art. He once said, “All I have ever made was made for the present and in the hope that it will always remain in the present.
I have done it without thinking about the past and the future.” While the best of Picasso’s work undoubtedly came out of the thirty years between 1907 and 1937, Picasso never declined into triviality. He would produce works of art of considerable power throughout the years of the war and in the 50’s and even occasionally in the 60’s and 70’s. In his last years, his art seemed to become repetitious, perhaps to stave off death. Since Picasso’s death, the mass public is left with a thirst unquenched that no talent today can satisfy. Hughes, Robert. “Pablo Picasso.” Time.
8, June 1998.
