Comment closely on the following poem, discussing how effective the poet shows his admiration for nature. Pied Beauty by Gerard Manley Hopkins 611 words In the beginning, God created the heavens and the Earth and all of its landscapes. Gerard Manly Hopkins intensely shows his adoration and admiration of nature, with it being his main theme, in “Pied Beauty”. Through diverse and effective uses of structure, imagery and symbolism he showcases his love for the world.
First of all, when looking at the structure and format of the poem, it closely resembles that of a prayer shown by the one stanza format, the “Glory be to God” introduction and the “Praise him” conclusion. Hopkins introduces the concept of deism so early on because his mentality of nature being so elegant and ? awless leads him to believe that only divine intervention could have created something so pleasing. The rhythm present in the poem never loses its slow, gentle ? ow, using only two full stops in the entire poem, to simulate the atmosphere of a calm scene in nature.
Furthermore, the entire poem paints images spread across the whole colour spectrum. From “brinded cow” to “rose-moles” to even “? recoal[s]” and “chestnut[s]” Hopkins’ use of imagery creates a beautiful masterpiece of various hues that re? ects his perception of nature. Hopkins uses artistic terms such as “dappled”, not just because he was a painter at the time, but also because he wanted to convey the allure of all thing. Even the widely unappealing cow is drawn in a favourable light being described as that of “couple-colour” and being “brinded” with it’s unique spots.
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Venus and Adonis: Images of Sexuality in Nature "Love is the answer, but while you are waiting for the answer, sex raises some pretty good questions." - Woody Allen Throughout his plays and poetry Shakespeare im beds numerous and diverse themes, many of them relating to love, sexuality, life, death, religion and countless others. In his poem Venus and Adonis Shakespeare tackles the theme of ...
This ‘collage’ that Hopkins makes links back to the idea of an unknown, superior being creating all things wonderful. Much like how he painted as a hobby, Hopkins portrays God as an artist forging all of nature. Penultimately, with language such as anaphora and sibilance, as well as other sound devices, Hopkins creates a pace and tone ? tting for nature. Using many fricatives like “fold, fallow, and plough” he builds a bridge between these things of nature and joins them showing that all things are unique yet interconnected at the same time for example “? kle, freckled” and “fresh-? recoals”. Also, with sibilance such as “swift, slow; sweet, sour”, Hopkins maintains the pace of the poem and uses soft “s” sounds to correlate to nature’s gentle character. As well as this, the endings of all lines are relaxed and elongated so as to show the lack of forcefullness: for instance, “plough”. Lastly, the symbolism of the wildlife used in “Pied Beauty” shows the variety of grandeur that Hopkins sees in nature. When he talks of the contrasting “fresh-? recoal” and “chestnut-falls” he discusses the complex cycle of life in the world.
The ripe chestnuts represent all trees and foliage and the ? recoal symbolises the eventual demise of all plant matter. The glows of fresh? recoals also represents the gentleness of even the most dangerous elements of nature further emphasizing the kind temperament of the world. As well as ? re and vegetation, Hopkins uses the ? nch as a representation of the freedom on Earth. Birds, much like ? sh and even trees, grow and move on their own accord thanks to the carefree disposition of nature.
And, Hopkins, as a human, of course admires the vast expanses of the planet and the liberation that comes with it. Through use of miscellany effects such as language, it shows that Gerard Manley Hopkins expresses true gratefulness for nature. But why must the poet emphasize his admiration for this planet so greatly? Over time, humanity has strayed from the path of nature and taken for granted the resources Mother Earth has gifted us. Mankind shall perish should we end up destroying what is beautiful in the world.
