Rhetorical Analysis of “Sidewalk Chalk: Kurt Wenner’s New Classicism”
“Sidewalk Chalk: Kurt Wenner’s New Classicism” by Jesse Hernandez who writes one article for each issue of Juxtapoz, which is released every six months. In the 2002 January/ February edition of this elaborate art magazine Hernandez stumbled across a remarkable sidewalk artist with the taste for classicism art. classicism art is created from the ancient mythological period or classical era. It’s the beginning for art itself. In Hernandez’s article he gets to talk face to face with the artist. Hernandez gives a feeling to the readers as if they were interviewing him themselves. In Hernandez’s article he focuses his 32 questions that will bring out Wenner’s thoughts, feelings, and work put into the classicism art that he demonstrates to the public streets today. Hernandez starts off by letting the readers know that, just by being told about Wenner’s work does not compare to actually laying eyes on it for yourself. Hernandez is emotionally moved as he learns of a “new version of street smarts” he realizes that pavement surfaces are not just only to be walked on. This is a reason that prompts Hernandez to inform the general public or art enthusiasts that great talent can lie on streets all over the world.
Hernandez writes of Wenner’s work with a desire to know more about Classicism. Hernandez takes a look at the interest of the classicism movement through Wenner’s eyes. After learning classicism structure and traditions he moves on to different ways erosion takes its play at Wenner’s work. Wenner answers by telling Hernandez that wind, dirt, sun, and public traffic do wear away his work. The artist then goes on to explain that it is all a part of performance art. This is where Wenner, makes a comparison by saying, “ It’s very much like attending a symphony. When the music ends, everyone leaves with a memory of the music.” That’s essentially what it’s all about. Looking at the majestic work can only leave an impression in your mind. Hernandez is being beneficial to Wenner by opening the eyes of many people to such a unique art, before it has the chance to fade away. Hernandez is dealing with a man who is bringing back old classical art as the new version “classicism.” Which, is a style that isn’t performed or taught any more, but still carries an incredible impact.
The Essay on Comparison Of Avant-Garde & Formal Art Work
A Comparison of Formal and Avant-Garde Artwork Modern art is a unique creation all it’s own, and since it’s beginnings there have been two very distinct groups present. They are the Formalists and the Avant-Garde. The Formalist group believes in the literal representation of the art work. They value the form used, whether it be how the colors are stressed or the techniques used, over the idea ...
Hernandez knows what questions to ask. The reader will leave feeling like he has gained some art awareness from this article. Whether it is through another person’s experience, or a way to expand your own mind. In this case, it’s both with the type of information he gets and the words he chooses to use. Hernandez uses words like “anamorphic perspective” when dealing with Wenner’s work. It’s a term used in art studies that refers back to the mythological time period. He opens the eyes of a lot of art aficionados, and takes us from present time to the classical age with the help of Wenner. Hernandez opened a gate to the general public to view sidewalk design. He offers us a view that makes changes in the representation of the ground we walk on today.
In my own personal experiences with art I found that this article really enlightened me on how the street designs could become very popular. Hernandez definitely kept my attention and answered the questions I was reaching for next. Hernandez did have a sense of order to his questions. He asked questions regarding Wenner’s individual view, personal work, and then of his masterful teaching studies. Overall I feel that I have gained an insight into a world that doesn’t exist anymore, or maybe never did. However, I feel the fantasy of one mans art put the pieces together for another to tell of a world created through imagination and arrangement.
The Essay on Women In Art Questions Asks Beautiful
Women throughout history, from the 1500's till now have been looked at as objects. In the 1500's during the time of the Renaissance woman were often portrayed in art in the nude. Curves at that time showed women as being goddess like. The more curvy and voluptuous you were the more beautiful men saw you. Artists who painted the female body were often commissioned by rich men to paint these ...
