The scene in which pride is most shown is Act III Scene 1. The two most prideful characters are Tybalt and Mercutio. Shakespeare shows the two characters’ pride by using carefully chosen words. Tybalt says: ‘Thou consortest with Romeo.’ The word ‘consort’, which was very negative for an Elizabethan audience, strongly hurts Mercutio’s pride. His reaction indeed proves it: ‘I will not budge for no man’s pleasure I.’ Shakespeare shows Mercutio’s arrogance and stubbornness, thus his pride. His strong self-esteem is also shown with the words ‘O calm, dishonourable, vile submission’. Shakespeare uses the word ‘submission’ to present Mercutio’s disgust of the fact of losing face. The way in which Romeo’s friend responds to Tybalt’s insults is violent: he immediately starts to fight him, oblivious to Benvolio’s warnings. This reaction, along with the word ‘dishonourable’ perfectly describes Mercutio’s misplaced honour, thus turning into pride.
Mercutio’s sense of being, which can be perceived as arrogance, is shown until the very last moments of his life: as he is wounded and dying, Mercutio still jokes and tries to catch his friends’ attention: ‘Ask for me tomorrow, and you shall find me a grave man.’, ‘Ay, ay, a scratch, a scratch.’ Mercutio, until the very last minute of his life, doesn’t want to show he was defeated by a ‘braggart.’ Shakespeare also shows Tybalt’s pride in this scene. It is seen directly through his words: ‘thou consortest’ and ‘thou art a villain’. At first sight, it seems like Tybalt wants to honour his family. However, neither Montagues nor Capulets know the reason of the everlasting grudge. Consequently, Tybalt isn’t violent to honour his family, he insults for the sake of insulting, for the sake of feeling superior in front of other people.
The Essay on Mercutio’s Death in Shakespeare’s Romeo and Juliet
He is a very bright jolly character who always brings comedy into the play he makes the play more colorful. The play becomes jolly to tragatedy. When Mercutio diies the comedy stops right then and there! He would always makes simple jokes even when he was on the verge of dieing he would bring the light into the play with happiness “ay a scratch scratch” making people think that he had an itch. His ...
This misplaced honour is in fact pride and arrogance. Tybalt says to Romeo: ‘Boy, […] turn and draw.’ Shakespeare here shows the young people’s strong will of being a man, when in fact they are acting like children. This scene, in which Tybalt fights twice, reminds the play’s first scene when he retorts: ‘Talk of peace? I hate the word.’ Shakespeare wants to depict Tybalt as a hot-headed, humourless young man whose pride led him to his own death. The same can be said for Mercutio whose arrogance resulted in his murder. After a thorough analysis of the scene it can be seen that both characters are actually quite similar, alike in pride. In this very important scene, both characters’ pride lead in their own deaths and thus in the unfolding of the following events: the importance of pride is thus shown by Shakespeare as the rest of the play is decided by the characters’ pride and their consequences.
