Some might say he’s a hypocrite. Others may adopt a Christian perspective to his moral struggle. Robert Bolt, however, would describe him as a man who exemplified an “adamantine sense of his own self” (Bolt xii).
A Man for All Seasons, although non-theological in its scope, nevertheless presents a dramatic hero of no small interest to the contemporary Christian, but whose significance does not end there.
Sir Thomas More, a well-known martyr and inspiration to those “moral” among us, is a man of inexorable integrity, whose steadfast adherence to his religious and ethical beliefs led to his tragic demise, and to the expanding popularity of his character. More’s struggle presents a morally blatant – and historical – example of man’s struggle to assert his spiritual self in a secular society. Perhaps a brief history of More’s struggle is needed. Sixteenth century England: Henry VIII’s brother, Arthur, dies.
Arthur was to be king and had already married Catherine of Aragon. A husband must be provided, so at the prodding of the Spanish and English monarchies, the Pope threw out the doctrine that stated a man may not marry his brother’s wife and Henry and Catherine wed. They rule happily – for a while – until Henry falls in love with Anne Boleyn, finds out Catherine cannot bear him any sons, and desires to divorce her. The Catholic Church does not support his requests, and Henry attempts to persuade them otherwise, claiming the marriage should be annulled based on its original religious illegality. The Church and More do not buy this claim, considering Henry caused the problem in the first place. More was Henry’s Lord Chancellor and resigned the position when Henry split with the Church in 1531.
The Essay on Why Did Henry VIII Create The Church Of England?
In this essay I am going to try and find out why King Henry VIII created the Church of England. In 1532 he broke with papal authority and announced himself head of the church in England, in 1533 the Church of England was created and in 1535 monasteries were closed. There are many arguments to do with economics, power, popularity, religion and finally succession and his personal life. Henry did not ...
In 1534, Parliament passed a bill requiring all subjects to take an oath (Oath of Supremacy) acknowledging the supremacy of England’s king over all foreign sovereigns – including the Pope. More refused, was imprisoned, and then executed in 1535. The play presents his dilemma to stay true to his friends, country, and God. In his preface, Bolt addresses the apparent contradiction between More’s realism and his continuing resort to legal and moral loopholes. He poses questions of why, if More believes so strongly that the divorce shouldn’t take place, does he hope to find a “way out” in the Oath of Supremacy? Likewise, why does he “valiantly” keep quiet instead of bravely speaking out against the King’s hypocrisy? Bolt’s answer (as More explains it to his son-in-law William Roper) is, “God’s my god… But I find him rather too…
subtle… I don’t know where he is nor what he wants” (67).
More respects God’s law as the ultimate, but he doesn’t attempt to understand or enforce it: … I’m not God. The currents and eddies of right and wrong, which you find such plain sailing, I can’t navigate. I’m no voyager.
But in the thickets of the law, oh, there I am a forester… This countries planted thick with laws from coast to coast – man’s laws, not God’s – and if you cut them down – and you ” re just the man to do it – d’you really think you could stand upright in the winds that would blow then? (66).
Here, More asserts his support of secular laws as the best available defense against what Bolt calls “that larger context occupied by God and Devil nakedly at war.” Thus, if man’s law occasionally contradicts God’s, or lets some evildoers off the hook, its benefits far outweigh its faults. However, if that is the case, then where does this Oath of Supremacy fall on the scale of “acceptable secular law?” In this sense, More is thoroughly pragmatic, but not, like Thomas Cromwell and Richard Rich, at the expense of his beliefs.
The Term Paper on John Updike Ritual God Man
Here's a report on John Updike and some of the things that he has written. If someone wants to use it, be advised that they should change all of the "its" referring to morality and etc... to something else. My extremely anal english teacher marked me off a point for every "it" that I used. Janice Tsai Senior-Munster High School Existence is like a creature that hides and then reveals itself. ...
It is apparent More wished to be uninvolved with the divorce, which unwittingly dominated his thoughts and prayers. Whenever a peer attempted to extract More’s opinion on the subject, he expressed his desire “not to think of it at all” (53).
Nevertheless, if this establishes an image of hypocrisy in the reader’s mind, it is simply because More tried to balance his respect for the law and society with his deep-rooted sense of self (a sense of being true to his beliefs, to his friends, and to his God).
He obeyed his religious and secular laws fully, and hence, the prosecution in his treason case fabricated charges in order to achieve execution. More viewed an oath as a sacred promise to God. Therefore, to him, the issue at hand was simple (however, with the obvious outcome of death looming in the distance, it certainly could not have been easy).
Bolt poses the question, “Why do I take as my hero a man who brings about his own death because he can’t put his hand on an old black book and tell an ordinary lie?” He answers this question through a conversation between More and his daughter Margaret: When a man takes an oath, Meg, he’s holding his own self in his own hands. Like water. And if he opens his fingers then – he needn’t hope to find himself again. Some men aren’t capable of this, but I’d be loathe to think your father one of them (140).
Bolt states that what makes breaking oaths so difficult is that most men do not feel a connection to an “immortal soul, which [they] regard as absolutely inviolable” (xiv).
Thus, that is why he portrays More as a “hero of selfhood” – a testament to his ability to stay true to himself (e.
g. his immortal being).
More placed a large amount of faith in a “patterned and orderly” society and the laws that governed it. More’s trust in the law was his trust in society, thus Cromwell’s shattering of “the forms of law by an unconcealed act of perjury” showed the fragility of that shelter More had created for himself. No doubt, More was given the opportunity to slide back into his safe zone of law and order. However, he remained resolute and continued with the decision he had made while under the comfort of that “shelter.” This is in stark contrast to other characters in the play, namely Will Roper, who would shift faiths based on high-minded ideals, each time convinced of his own righteousness.
The Essay on Archetypes: Spider-man and Hero Cycle
Archetypes are found in many stories and in many works of literature. An archetype is a universal symbol that brings out a deep response in everyone. The good vs. evil archetype is seen in many action and adventure movies and stories. The hero archetype is where a person goes on a journey and faces challenges along his/her journey. The hero archetype is seen in Harry Potter and The Sorcerers ...
Bolt seems to imply, through his “tragic” hero, that one cannot comprehend all that is good and moral in the world – much less condense it into something “orderly” and “ideal” – and thus, should concentrate on oneself and one’s place in society.