Throughout the book, Song of Solomon, by Toni Morrison, the image of flight is a major symbol. It signifies true life and the living of it, as well as a sense of freedom, of release, and touches the lives of all the main characters in the book, as it is a part of the Deads family history. But the most affected is Milkman, who embarks on a journey of self-discovery, and discovers this true meaning of flight. The first instance of Morrison’s use of the image of flight is at the very beginning of the book. “At 3:00 p.m. on Wednesday the 18th of February, 1931, I will take off from Mercy and fly away on my own wings. Please forgive me.
I loved you all. Smith is unable to take the pressure of his life any longer and longs for an escape. He finds that escape in flight with blue silk wings, however short-lived it is, and the death following it. Before his death, he was one of the Seven Days, the small group of men devoted to keeping the balance of blacks and whites equal, which is one of the causes of his desire for an escape from life. As he says in his note, he had become one of the Seven Days for love of black people, not for any hate of whites. While the first image does not seem consistent with the images following it, this first use of flight opens the rest of the story to the symbol. Also, it shows that having the joy of flying brings risks, including that of death, as well as freedom.
Milkman, born Macon Dead, the third to bear that name, is born the day after Smith’s flight off Mercy Hospital and is the one most affected by the image of flight presented in the book, even from his infancy. ” … when the little boy discovered, at four … -that only birds and airplanes could fly-he lost all interest in himself. To have to live without that single gift saddened him and left his imagination so bereft … .” (p 9) For Milkman, the loss, or lack of the ability, of flight is a loss, or lack, of life and of living.
The Term Paper on Life Love And Death The Work Of Adam Fuss
... life and the solitude of death. This idea of solitude and death is most readily seen in Fuss's eries entitled My Ghost. The images ... the composition sit for a few days before exposing them. These photogram's are ... 1980. This book deals with the topic of photography and the death of ... of baby clothes, weeping women and birds in flight ...
Throughout his life, because of this, he achieves, at least spiritually, his namesake; he is dead to life. “It was becoming a habit-this concentration on things behind him. Almost as though there were no future to be had.” (p 35) Milkman does not look forward to the future. He does not know himself, or his past, and he is unable to find flight, life, without knowing those things. As Milkman grows, he becomes a self-centered person, caring only for himself and what will help him. Anything that does not touch him directly does not exist for him. His father’s words to him, “Then you’ll own yourself and other people too,” (p 55) are unable to be fulfilled by him.
Milkman can not own himself because he does not know who he is, and he has lost the initiative to discover it when he ‘died’ from the lack of ability to ‘fly’. When he looks at himself, he sees this undefinedness of himself. ” … But it lacked coherence, a coming together of the features into a total self.” (p 69) His father tells him, ” … if you want to be a whole man, you have to deal wit the whole truth.” But Milkman is unwilling to deal with the whole truth: of himself, of his family, or of his life. Until he does, he will never be able to fly.
The peacock that Milkman and his friend Guitar see in the park introduces an important part of the image of flight. The peacock is able to strut and has a beautiful tail, but is unable to fly. The reason for this, according to Guitar, is that, “All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that [stuff]. Wanna fly, you got to give up the [stuff] that weighs you down.” In other words, in order to fly, to live, one must leave vanity, possessions, fear, behind.
One can fly only if unburden, with only oneself to carry, but one must know who that self is and what burdens him before he can shed all in order to attain flight. Pilate, through her inheritance, a bag of old bones, brings in another part of the image of flight. ” ‘You just can’t fly on off and leave a body,’ ” (p 208) her father’s ghost had told her. ” ‘He meant that if you take a life, then you own it … . Life is life.
The Essay on Medical Treatment Life Elderly Past
Throughout the years medical technology has increased tremendously. We have been able to transplant organs, increase the birth survival rate, and we are even able to clone animals. We are now able to live longer that ever before, trying to elude the inevitability of death. But, because of this quest consequences have arisen. In this essay I will demonstrate why I believe that physician should not ...
Precious. And the dead you kill is yours. They stay with you anyway, in your mind.’ ” (p 208) A person cannot just go on living as usual if he kills someone. That person will always be with him, in his conscience, in his mind. It will hamper one’s ability to fly, to live, unless that person ‘takes responsibility’ for the one he killed. Only then can the person return to the skies to fly, to carry on with his life. As Milkman’s journey to discover himself and his past moves closer to its culmination, flight becomes even more important. “O Solomon don’t leave me here, Cotton balls to choke me, O Solomon don’t leave me here, Buckra’s arms to yoke me, Solomon done fly, Solomon done gone, Solomon cut across the sky, Solomon gone home.” (p 303) Milkman discovers his father’s past, as well as his great-grandfather Solomon’s past, in a small town in Virginia.
According to local belief, Solomon had literally flown off, to freedom, to return to his home across the sea. He had tried to take only one of his sons, Jake, Milkman’s grandfather, with him when he flew off, but had been unable to. Instead, the boy had been dropped at a house and taken in by an Indian family. When Milkman discovers all of this about his people’s, his family’s, past, he discovers himself also. Returning to his wish during his childhood to fly, the belief that his great-grandfather had actually flown revives that part of him that had died in the four-year-old, 9with the possibility that he will be able to fly one day. Milkman realizes that despite his new discoveries and finding of himself, the past will still exist.
“No reconciliation took place between Pilate and Macon (although he seemed pleased to know that they were going to busy their father in Virginia), and relations between Ruth and Macon were the same and would always be. Just as the consequences of Milkman’s own stupidity would remain, and regret would always outweigh the things he was proud of having done. Hagar was dead and he had not loved her one bit.” (p 335) But in spite of this, Milkman is able to free himself of all this excess ‘stuff’, to leave only himself in order to take to flight, to truly begin living. Near the end of the book, just after Pilate’s death, Milkman makes another discovery. “Now he knew why he loved her so. Without ever leaving the ground, she could fly.” (p 336) Pilate lived her life to the fullest, never letting anything hold her down. Milkman realizes at this point that that is what ‘flying’ means, to be completely alive, to live life as Pilate had: to the fullest, without ‘jewelry’, ‘vanity’, holding a person down.
The Essay on Life Is Fashion Living Thing
! ^0 Life is like the fashion! +/-, which could associated with the six big ideas of biology that use to describe all living things. All living things are composed by cells as their base units, like the cloth is the base units of fashion. This base unit of fashion could be flax, silk, cotton or other materials those are similar to the nutrient transporting cells, immune cells, organ constructing ...
The most poignant and meaningful line in the book is the last sentence, which expresses the complete image of flight carried through the book. “If you surrendered to the air, you could ride it.” (p 337) Milkman, at that point, throws off all that has been encumbering him and not allowing him to fly, including fear of living, of taking risks, and of dying. He surrenders himself to life, to the air, and by doing that, ‘rides the air’ and lives. Only then can one truly live. He achieves a full revival to life in that moment, willing and unafraid to take the risks necessary to be alive, though it may mean his death. He realizes that if one does not take these risks to live, then he is already dead.
The novel, Song of Solomon, is one of self-discovery for Milkman and the subsequent acceptance of the risks of truly living, of taking life as it is and making the most of it, of ‘flying’, as Morrison presents it. The image of flight portrayed encompasses all that living does: the risks, the dangers, the consequences, but also the freedom, the joy, and most of all, true life. The thesis statement of the novel, Song of Solomon, is one of self-discovery for Milkman and the subsequent acceptance of the risks of truly living,
