There is an old saying that a picture says a thousand words. Art Spiegelmans series Maus: A Survivors Tale proves this saying to a tee. Added to the dialogue, a million possibilities arise. The series is a biographical comic book about his fathers experiences during the Holocaust. It uses cats, mice, and other animals to present this very delicate subject.
The first book in the series received tremendous adulation and received the National Book Critics Circle prize in biography. However, the critics involved in this prize were forced to ask two questions. Does a comic book represent the World Wars well or not and Was Spiegelman right to use the humor of a comic book to express the Holocaust I will attempt to answer these questions by focusing on Maus II: And Here My Troubles Began. Using artwork combined with pictures serves many purposes.
It allows the author to develop characters with a visual reference. It serves to fill in the blanks by cutting down the necessity to read between the lines to understand the big picture. These can be seen as pros and cons. So Spiegelman attempted to reduce the gap between the dialogue and the pictures. I didnt want people to get too interested in the drawings.
I wanted them to be there, but the story operated somewhere else. It operates somewhere between the words and the idea thats in the pictures, which is in essence what happens in a comic. This direct quote from an unknown interview done with Spiegelman shows that he meant to use the pictures only as a tool to express his ideas. If too much emphasis were put on the pictures, then whole story would not be shown. However, if the pictures and the dialogue are read as one, then the entire story is expressed. Spiegelman says in the quote that he doesnt want people to focus on the artwork, he just uses them to help the story along.
The Essay on Wordless Picture Books
By David Wiesner A bright, science-minded boy goes to the beach equipped to collect and examine flotsam — anything floating that has been washed ashore. Bottles, lost toys, small objects of every description are among his usual finds. But there's no way he could have prepared for one particular discovery: a barnacle-encrusted underwater camera, with its own secrets to share... and to keep The ...
To help him with keeping the focus off the drawings, you can notice an extrem uniformity in the drawings. The appearance of characters are shown the same throughout the comic book, the facial expressions never change with emotion either. The author uses the uniformity in the pictures to eliminate the over descriptive nature of pictures. Instead, there are still things left to the reader’s imagination. Spiegelman needs this uniformity throughout the comic book so that Holocaust does not come across as a creative medium for writing. Instead of using the drawings as a medium to show expression, he uses the drawings also help him to express ideas that he does not want left to the imagination.
For example, on page 70 in Maus II, there is a map of the crematorium buildings. This eliminates any disparity between what he wants the reader to see, and what the reader will actually believe. As well as eliminating this disparity, the drawings can be used to accentuate ideas that Spiegelman has tries to express. There are pictures in Maus II that can be described as simple disturbing, but show the atrocities of the Holocaust well. A picture of some of the unfortunate mice burning in a mass grave is present on page 72 of Maus II. You simply could not express the horror experienced by the unfortunate humans that were forced to go through this by using words to describe it.
Hitler once said, The Jews are undoubtedly a race, but they are not human. In essence the cartoon lets Spiegelman show a distinct metaphor. Spiegelman uses mice as the Jewish people, cats as the Germans, dogs as the Americans as well as other animals. By using the difference in size and visual ferocity, he is better able to express this is a highly controversial metaphor.
This displays the stratification of the entire European culture as a whole. The realization of Hitlers racism, as well as the Americans, is shown to the fullest extent. In the end of the book, the Americans are shown as dogs, and drawn as very fierce creatures. Obviously, he is trying to show the Americans as more powerful than the Germans and the Germans more powerful than the Jewish.
Book Review Of "Night" By Elie Wiesel
The Holocaust is a haunting time in the history of the world. The book “Night” by Elie Wiesel captures Wiesel’s haunting experience during the Holocaust. A book like this is one that is not read for enjoyment, but rather for information. If one wants to be able to at least imagine what the people in the concentration camps went through, then this is the book to read. Night does ...
This shows how Spiegelman used the analogy to express the stratification that was present during this period of time. Spiegelman successfully used the cartoon medium to express Hitlers quote. The Holocaust is obviously a very sullen event in world history. Just talking about the event can be disheartening to anyone. Using the pictures and the humor of cartoons allows Spiegelman to side step the saddening of the events that occurred in the Holocaust. The small jokes that are embedded into the dialogue and the humorous misfortunes of the present day Vladek do a good job of distracting the reader from the sadness.
An example of Spiegelmans use of humor to show the Holocaust in lighter way is on page 78. In this passage, Vladek decides that he wants to return the box of Special K that is open and only half full to the supermarket. He says that is because he learned to conserve food in anyway possible during the Holocaust. Later, he also says that he saves matches by leaving the gas fire on all day. By using humor, Spiegelman was able to describe the lasting effects suffered by the survivors of the Holocaust in a lighter way. This was also probably the biggest con that Spiegelman experienced while trying to describe the Holocaust as a comic.
The holocaust is a very delicate topic to discuss under any form of writing. Expressing the events with humor can be a very dangerous endeavor. People might not like the idea of making a comic strip out of the racism towards the Jewish population and the horror that their people have gone through. By presenting the events of the Holocaust in a humorous way, the atrocities that occurred do not stand out as the major topic of the book. You can ask fairly, What gives Spiegelman the right to make jokes when talking about this topic The answer is that no one did. The humor and the story line distract people from the horror experienced.
To decide whether Spiegelman has correctly shown the Holocaust and the atrocities associated with it, you must weigh the above arguments. Can the descriptive nature of the comic book and the creative sidestepping used by Spiegelman be a great thing, or, is the sidestepping that is used by the author a heartless attempt to make his fathers accounts of the holocaust as an enjoyable story. I do not believe that Spiegelman was right in using humor during this book, but I do believe that it added to the enjoyable readability of the book. However, I think that using a comic medium that allows drawings let him to best describe the events of his fathers life and the Holocaust in general.
The Essay on Maus – Art Spiegelman
As a result of not having experienced the horrors of the Holocaust like their ancestors did, second generation Jews often sense they must demonstrate their respect and appreciation towards their elders. Indebted to the previous generation, these Jews search for ways in which to honor those martyrs who lost their lives half a century ago. The ways in which this generation pays homage are quite ...
By having the visual medium available, he was able to show some events of the Holocaust without actually having to describe them. During the discussion of awarding one of Spiegelmans prizes, an argument was made, was he right in expressing the Holocaust as a comic book. This literary medium did let him show the Holocaust as he best as he could. With pictures, he was able to show more than any novel ever could. However, I personally think that he was very wrong in using humor simply because the actual victims probably dont find it funny, but that is a personal question only you can answer for yourself. Spiegelman, Art.
Maus II: A Survivors Tale. New York, NY: Pantheon Books, 1992. Brown, Joshua. Of Mice and Memory. Rev. of Maus: A Survivors Tale, by Art Spiegelman.
Oral History Review, Spring 1988.
