Under milk wood is a radio play written by Dylan Thomas, it tells the story of a day in the life of a small town called Llareggub. The play is set in the 1950’s, and it has two narrators, called Voice 1 and Voice 2, which act as dramatic devices and move the play along in space and time. The Voices give poetry to the play by giving the listener Thomas’s view of the town. The two voices are Thomas’s opportunity to act as a guide to Llareggub. He uses the Voices throughout the play, the first Voice starts and ends the play, the characters seem to interact with the voices, and for example the characters often finish off lines that the voices started. One example of this is in the introduction of Mr Pugh, the retired school teacher.
First voice: “Mr Pugh ” Mr Pugh: “remembers ground glass as he juggles his omelette ” It does the same thing further down the page when it says, First Voice: “Mrs Pugh ” Mrs Pugh: “nags the salt cellar ” The Voices also build a relationship with the listener, they seem to be trustworthy and to have a sense of humour, and this helps the listener to learn about the characters and to understand the town. An example of this could be found in the prologue when the First Voice addresses the listener personally by saying “Only your eyes are unclosed” and again when it says “And you alone can hear the invisible star fall.” The effect of this makes the listener feel like the Voices are talking to them alone. The Voice also seems to invite the listener into the town, when it tells us” Hush, the babies are sleeping” it then goes into a string of images about the people of the town: “the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican.” Strings of images convey very strong feelings and can get across the atmosphere of a place very well. This particular string of images is telling the listener all the people in the town who is asleep. The effect of it is the Voice becoming friendlier with the listener and telling him / her about the town and its people. The play has many poetic effects, which are mostly used by the Voices, Alliteration is used often to add depth to Thomas’s descriptions.
The Essay on A Man for All Seasons: Play About Thomas More
A Man for All Seasons written by Robert Bolt is a play about a man, Thomas More, who lives by his beliefs and eventually dies because of his beliefs. The play has a simple theme, played out through a few main characters. Rich’s character and personality prevent More from being successful. The first appearance of Rich in the play happens right away in the first scene. This is the first time ...
An example of alliteration in the play is when the first voice is talking about Bessie Bighead when she’s asleep, the voice says “sleep until the night sucks out her soul and spits it into the sky” Thomas seems to be using wet sucking sounds for the lonely old lady. The Voices use similes often, to compare one thing to another; one example of a simile in the play is when voice one describes Mr. Cherry Owen as being “as drunk as a deacon.” The effect of this emphasizes the drunkenness of the character because the listener would not expect a deacon to be drunk. The play uses many metaphors (talking about one thing as though it was another thing).
An example of a metaphor in the play is the description of “the little pink eyed cottage”; this gives a face, and a living quality to the cottage, it also makes us feel affection and makes us care for the cottage. Another poetic effect Dylan Thomas uses are strings of images, he builds up strong mental images for the reader, using semantic fields to create the picture. One example of one of his long strings of images is when voice 1 says “Now, in her ice-berg white, holily laundered, crinoline night-gown, under virtuous polar sheets, in her spruced and scoured dust-defying bedroom in trig and trim Bay view.” The effect of that particular string of images is to get across to the reader how clean and cold feeling Mrs Ogmore Pritchard’s house is, as well as making us feel like Mr Ogmore Pritchard’s is cleaning. This technique can get across a huge amount of information, although it appears to be lengthy and wordy. The humour of the voices adds interest to the play. One example of humour in the play is when PC At illa Rees mistakes his helmet for his chamber pot in the dark and there is the line ” His helmet swashes in the dark” and “You ” ll be sorry for that in the morning ” The voice of the Guidebook is cold and impersonal compared to the two voices, it doesn’t seem to know the town, and doesn’t talk to the listener like the voices do.
The Essay on First Act Town Play Emily
Our Town Analysis In fact my town does not resemble the setting displayed in this play although I am sure the setting of our ancestors' towns were much like this one. Back then everybody knew each other and they did not have to lock their doors and they had a strong fear of death and judgement which was indirectly implanted in their religion. This play was interesting because the representation of ...
It insults the town and it’s people and patronizes their way of life and makes the town seem dull. One example of the guidebook patronizing the town is when it describes the towns houses; “prinking themselves out in crude colours and the liberal use of pink wash ” The Guidebook has a very negative attitude towards Llareggub, and uses clich ” es to make it seem old-fashioned. The voices, however, use a range of poetic effects, and give Llareggub a dreamlike, mad magical quality. The voices tell us that they care for the town and its people, they are the voice of Dylan Thomas.
