Style is a particular, distinctive, or characteristic mode or form of construction or execution in any art or work. The style utilize by an artist can be seen through his or her art piece. By studying and copying the works of old masters of the Renaissance, Edgar Degas believes that it is beneficial in striving to become a perfectionist. He had a unique style that would cause him to stand out from the other impressionists.
The fascination of movements and gestures, the influenced by Japanese prints, and the preference of artificial light are some of the components toward his distinctive style. Firstly, Degas is widely recognized in drawing and painting the human figure in motion. He had a great passion for capturing a sense of movement. Driven by this challenge, he painted dancers in many different positions and bathers at different perspectives. He liked the artistic tension of arms and legs bending and twisting at abnormal angles. Unlike other artists at the time, Degas also manipulated the location of forms within the frame of the observer.
Degas pushed people out of the center of his painting causing the viewers to move the eye deep into the painting. Degas experimented with various selections of media and styles. He made charcoal sketches, oil canvases, and sculpted plaster dancers. Regardless of what medium he used, Degas focused persistently on capturing the movement and emotions of daily life. Despite his fascination with movements and gestures, he was also captivated by a study of Japanese prints of which style seemed to influence his work. Japanese printmakers such as Hiroshige, has influenced him and his drawings shows profound artistry.
The Term Paper on Four Styles Of Roman Wall Painting
The wall paintings evolved from around 2nd BC. Romans created these extravaganza works to emphasise their wealth. The evidence for the techniques used is described by Vitruvius’ in _De Architectura._ He noted that wall paintings were interior wall designs as frescoes, which were executed using damp plaster (lime and sand mixed together). There must have been at least several layers of this ...
He used Japanese idea of asymmetrical design often using an object to set the subject to the side of a painting, images cut off by the edges of the frame, and unusual angles. These ideas were translated with the use of his own style and technique adding a distinctively individualistic point of view.
