Threatening Women A reoccurring theme in much of Eliot’s poetry is the figure or figures of threatening women. Eliot includes his intimidation of women in a lot of poetry he writes. However, with some of his later poetry his feeling towards women changes. He goes from fearing them and feeling threatened to almost celebrating them.
When comparing his work in “The Wasteland” to his work in “Marina” you can definitely sense a change in his feelings. Could this change in his poetry be a result of his estranged relationship with his first wife and the beginning of a happy one with his second? Being that a lot of his poetry was based on his relationships with women this notion is quite possible when delving further into the meaning of his poetry. Eliot’s usage of threatening women in his poetry changes as his relationships with women changes. To get a better understanding of this one must understand the relationship between Eliot and the women in his life. Vivien Haigh-Wood was his first wife. He met Vivien in 1915 and married her that same year.
Neither of their parents knew of the courtship. She was of the English upper-middle class. She was very intelligent and lively, but she was also very unstable, unknown to Eliot. From the start neither one of them could understand the other (T. S Eliot par. 7).
Vivien was extremely controlling and jealous, and embarrassing to take out socially. She drained Eliot with her constant illness and nearly drove him to a nervous breakdown (par. 9).
The Term Paper on Passage To India Women Woman Eliot
Images Of Women: Major Barbara, A Passage To India, And The Poetry Of T. S. Eliot Images of Women: Major Barbara, A Passage to India, and the poetry of T. S. Eliot The Victorian Era was a difficult and confusing time for women, and their trials are reflected in the literature of the time. Although the three pieces of literature being discussed are not entirely about women, they shed light on the ...
Vivien was in and out of mental hospitals from 1928 and on. Then in 1932 Eliot was offered a job lecturing at Harvard. He saw this as his chance out of his unhappy marriage.
So he went to the United States and filed for a legal separation from Vivien (par. 13).
In 1947 Eliot was shattered by the news that Vivien had passed away in a private mental hospital (par. 15).
Eliot met his next love interest in 1949. She was his secretary at Fares, her name was Valerie Fletcher. After working with her for 8 years he finally proposed in 1956 (T. S Eliot par. 17).
They were married in 1957.
Valerie was only 30 and Eliot was 68. Not many of his friends stopped him from this happiness. He told friends, “I am the luckiest man in the world.” He was very jolly during this time in his life (par. 18).
When looking at Eliot’s relationship with women one can see why they are so threatening to him in his poetry, and why the change occurs. His earlier poetry gives an insightful glimpse into this part in Eliot’s life.
One poem that gives an example of this is “Sweeney Erect.” The poem is /about a woman who is having an epileptic seizure on the bed, while this grotesquely described character, Sweeney, is shaving. Meanwhile outside the door the women in the house think they ” re having sex and hang around the door gossiping. This is the literal meaning, however when looked into further there’s more to it. Eliot is painting a disturbing sexual scene that is derived from his ideas about sex and women. The title itself is an example of this “Sweeney Erect.” When he describes her having the epileptic seizure it’s like he’s describing an orgasm. He describes it like this, “Jackknifes upward at the knees/ Then straightens out heel to hip/ Pushing the framework of the bed/ And clawing at the pillow slip (Selected Poems 36).” You sense his threat of women more when he describes the women out side the door listening to this thinking that Sweeney and this woman are having sex.
Eliot writes, ” The ladies of the corridor/ Find themselves involved, disgraced/ Call witness to their principles/ And deprecate the lack of taste (Selected Poems, 37).” The women outside gossiping seem dangerous to Eliot. Most likely this insecurity about women is a result of his past relationships. Another example of Eliot’s poetry that shows Eliot’s disturbance with women is “The Wasteland” part II. In part II of “The Wasteland” Eliot is describing this conversation between a man and a women.
The Essay on Women And Men Communicate Differently
Women and Men Communicate Differently The process of neo-Liberal dogmas, such as celebration of diversity and elimination of sexism, being showed up peoples throats, brought about a situation, when employment policies correspond less and less to the objective reality of interaction between genders at workplace. Men and women are expected to execute their professional duties with the same ...
The women keeps badgering the man with questions and the man keeps giving these curt responses. Eliot writes, “My nerves are bad tonight yes, bad. Stay with me. / Speak to me, why do you never speak.
Speak. / What are you thinking of? What thinking? What? / I never know what your thinking? Think (Selected Poems 55).” The man responds in his head with “I think we are in rats’ alley. / Where dead men lost their bones (55).” Eliot gives a sense of uneasiness in this relationship just simply with the way the women is bombarding the man with these questions and all he does is give this dark unsettling answer about rat bones in an ally. This part of the poem is obviously trying to portray a troubled relationship between a man and a woman. This quite possibly reflects some aspect of Eliot’s relationship to his first wife and how women are a threat to him.
This part of “The Wasteland” is a great example of how women are threatening to Eliot as a result of his past relationships. An example of a non-threatening woman doesn’t appear in Eliot’s poetry until “Marina.” In “Marina” the speaker talks about how he has changed in his life and refers to these beautiful images of his daughter. He starts of the poem with this image, “What seas what shores what grey rocks and what islands /What water lapping the bow/ And scent of pine and wood thrush singing through the fog. /What images return/ O my daughter (Selected Poems 103).” When comparing this image of a woman to the other examples one can’t help but notice the change.
There is no sign of a creepy sexual disturbance or the threat of nagging a woman. Only beautiful images of water and land associated with the memory of his daughter. This type of writing is a result of his estrangement from his first wife, and the sign of his happy beginning with his new one. The up beat tone of the poem coincides with the happiness Eliot is experiencing in his life at that moment. Eliot’s relationship with the women in his life affected the way he wrote his poetry. His earlier works were dark and showed a threatening, dismal view of women.
The Essay on Analysis Of William Blake's Poems "A Divine Image" And "The Human Abstract"
William Blake, one of the earliest and greatest figures of Romanticism, wrote the “Songs of Innocence and Experience” in the 1790s. The poems juxtapose the innocent, pastoral world of childhood against an adult world of corruption and repression. The collection explores the value and limitations of two different perspectives on the world. Many of the poems are in pairs, so that the ...
This could be due to the fact that he had a very strenuous, unhappy marriage with his first wife. His later works reveal a lighter side to Eliot, quite possible brought out by his newfound happiness with his new wife. Eliot’s poetry went through a significant change because of this aspect of his life. When he was happy his poetry was lighter. When he was unhappy his poetry took on a darker setting. This was all a result of the relationships Eliot had with the Women in his life.
Works Cited Eliot, T. S. Selected Poems. New York, Harcourt Inc. , 1962. T.
S Eliot. 26 Feb. 2002. BBC Education. 2 March 2002,.
