Animation Bible (A general outline for pitching a series idea to networks and / or investors) Author’s note: The following outline structure is based on a real studio bible. This model has proven successful in helping a certain studio to acquire network approval and production funding for a 2 D animated children’s series (name of studio not disclosed in order to retain confidentiality as well as to guard against copyright infringement).
The following information is not written in stone as pertaining to the creation of a series bible. Series’ creators use their own methods and styles in the production of their bibles and what this compilation hopes to provide is an example of one such bible format, a structure in which one may refer to as a model in their own bible creation.
Consider this a basic ‘blueprint’, subject to modification. Thank you! R. F. GENERAL OUTLINE STRUCTURE >> Cover page – Title page of the proposed series name (I. e. “The Adventures of DUCK SOUP”) >> “Series Concept” page (s) – Identify the show length and format that you hope to fulfill (i.
e. 10 X 30-minute 2 D animated children’s series).
This page should also describe the concept itself. It could span over a few pages in length, depending upon the amount of thought you wish to purvey behind the show’s idea, tone of program, philosophy, etc. >> “Characters” page (s) – In this section, identify the ‘Protagonists’ and ‘Antagonists’ that you are projecting as main characters. Again, this may require more than one page to cover.
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Begin with the main lead characters and describe their characteristics. Show character rotations and colour schemes of each. You may also show character development of each (from rough to clean up to coloured model), showing process of construction. Also, it would be helpful to show character size relationships with each other in the form of a cast line up. >> “Key Relationships” page (s) – Describe the relationships between the main character (s) and their support characters or fellow main characters. >> “Sample Backgrounds” page (s) – Show some coloured background / layout samples.
This will also help define the style and feel of your series concept. >> “Location” page (s) – A geographical description of your series’s et tings. I. e. “DUCK SOUP takes place in the swampy, alligator-infested waters of the Florida everglades. The ridiculous adventures of Quacker, our overzealous canard hero, take place primarily in these perilous waters and blah, blah, blah…
.” . Also, include descriptions of any possible environmental phenomena that may affect the story lines or that may be an obvious part of the geography in any way as well. Create a good mental picture of the settings for the reader to envision. >> “Structure and Format” page (s) – Can your series concept be aired as stand-alone interstitial (if they are only a few minutes long)? Describe the basic structure of the program.
Does it have narrative content? Is there a special placement of credits before and after each story (depending upon the show length)? Describe any unique programming structure you may have in mind. >> ” Story Adventures” page (s) – Describe, if you will, basic adventure themes you may have in mind for your series concept. I. e. Fast-paced / white knuckle adventures, ; high velocity paced scenarios; slower-paced action; etc… What seems to fuel the action? What inspires conflict? Is the conflict serious with some humorous undertones? Are the adversaries in your series unusual somehow? How are they key to the continuity of your show? Describe in general any contributing factor that you feel is significant to the adventures.
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>> “Music” page – If you have musical accompaniment that sets a pace for your show, describe its style and how it affects the show’s tempo and overall atmosphere. If it is characterized by high-energy exuberance, or if it is unpredictable or changes crescendos to match the show’s adventures, etc… Do the instruments make significant changes in styles (from an organ keyboard to electric guitar, for example), describe the thought and reasoning behind this. Do specific story lines require specific musical styles? Do you have vocals singing during portions of your stories? Or are you selecting non-lingual vocalizations (no lyrics) to maintain suitability for all languages? >> “Story Concepts” page (s) – List a series of storylines for each show. For example, if you have a format of 10 1/2-hour shows (aka 10 X 30) that you are hoping to produce your series in, describe brief outlines of each show. I.
e. “Quacker finds an unusual feather near his home and goes on a hunt to locate its owner, a very rare and almost extinct emu-like creature that takes him on a ride he will never forget! ” >> “Notes to Writers” page (s) – If the series is picked up by a network, then your bible will prove to be a beneficial aid to your writer (s).
This page is dedicated to specific notes you may wish to convey to your scriptwriter (s) as they would most certainly receive a copy of this bible. This page should include any added thoughts for them to keep in mind during their writing thought processes. For example, remind them of the market group (target audience) for them to keep in mind as they conceive their stories. Or, for instance, if you are only showcasing a short segment (i.
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Reading The Light The story that is most significant to me is 'Reading the Light'; by Roger Pfingston. This story felt like it was written from the heart. It is filled with emotions, ones that the author caught in his story very well. Even though I could not empathize with Brian, I did feel sympathetic towards him. When David said to Brian, 'Is it really such a surprise? I'm sure you know that ...
e. a 2 minute episode), remind the writer that there will be no commercial break so they can ascertain a non-stop series of events takes place. Identify any other structural context for them to keep in mind that you would not necessarily have to have in your series pitch to a network. Having this page in your bible helps a network exec to also review the amount of work and thought that has gone into the structure and content of your proposed series. >> “Contact” page – Have the following: 1. Your name (and / or title) 2.
Phone number (Include your area or zip code) 3. E-mail address 4. Fax number 5. Mailing address If you have a web site, include this as well.
