The Demon Lover and Other Stories by Elizabeth Bowen was first published in Britain in 1945. In 1946, the collection was published in the United States under the title Ivy Gripped the Steps and Other Stories. Without exception, reviewers greeted it enthusiastically, praising it for what was described in the New Yorker as ‘‘a completely successful explanation of what war did to the mind and spirit of the English people.” Today, ”The Demon Lover” is probably the most anthologized of Bowen’s short stories, and critics claim that it reflects some of Bowen’s greatest strengths as a writer. Bowen was inspired to write ‘‘The Demon Lover” during World War II, after having experienced the Blitz, or aerial bombardment, of London by the Germans during 1940-41.
Remembering the effects of World War I, people in London were overwhelmed by the events of World War II. Bowen’s story, then, attempted to encapsulate the ‘‘war on top of war’’ sentiment which prevailed in post-Blitz London. In ‘‘The Demon Lover’’ the main character, Mrs. Drover, confuses World War II with World War I. Returning home to collect some personal belongings during the aftermath of a recent bombing, she thinks of her long-dead fiance to the point where the reader does not know if this is a ghost story or simply a story of one character’s neurotic mental state.
The Demon Lover Summary
Mrs. Kathleen Drover has returned to London from her house in the country in order to pick up some things from the house that she and her husband abandoned because of the bombing of London by the Germans during 1940-41. It is a humid day in late August when she goes back to her mostly deserted street. When she enters the house, she sees all of the telltale stains and dust left when she and her family moved out. The house has some cracks in it because of the bombing, and she wants to check on it. As she is passing her hall table, she notices a letter addressed to her—a strange sight, considering that the caretaker did not know of her return and that her house is boarded up and all of her mail has been forwarded to the country address. But she picks up the letter and takes it upstairs to her bedroom to read it, just moments before rain begins to fall.
The Essay on Commentary How to Tell True War Story
Tim O’Brien’s The Things They Carried is a work of metafiction that manages to test fiction in its very nature through the chapter, “How to Tell a True War Story.” The blurred line between reality and the imagination is explored by the given account—the reader is alienated and forced to think, does the truth matter in a war story? This chapter alternates in narration between O’Brien as a soldier ...
The letter’s author promises her that nothing has changed except for the time that has passed. He tells her that it is their anniversary and mentions a time for their meeting, of which she has no memory. Strangest of all, the letter is signed “K,” her own initial. When she checks the date on the letter and finds thatrs. Kathleen Drover has returned to London from her house in the country in order to pick up some things from the house that she and her husband abandoned because of the bombing of London by the Germans during 1940-41. It is a humid day in late August when she goes back to her mostly deserted street. When she enters the house, she sees all of the telltale stains and dust left when she and her family moved out. The house has some cracks in it because of the bombing, and she wants to check on it. As she is passing her hall table, she notices a letter addressed to her—a strange.
