Passive Lovers T. S. Eliot was the dominant force in twentieth-century British and American poetry. With poems such as The Love Song of J. Alfred Prufrock, he introduced an edgy, disenchanted, utterly contemporary version of French Symbolism to the English-speaking world.
Most poets recognize that in producing a sensational poetic work, many concerns arise with the use of various literary tools to convey ideas, opinions or simply an observation. Through vivid imagery and metaphors, TS Elliot in his “The Love Song of J. Alfred Prufrock” delivered readers the thoughts and emotions of a tormented character J. Alfred Prufrock and also reflected self-debasing nature of a passive lover’s effort that kept deteriorating till it finds hellish discomfort in isolation.
As a poet explicates an event in poetry, he does his best to capture the audience, to entertain the reader. The reader must be drawn into the situations of the event and be able to form opinions as he / she goes along. The author wishes to bring to mind certain emotions from the reader, certain feelings and understandings from the characters of the story. Elliot’s sensational poetic work “The Love Song of J. Alfred Prufrock” embraces that idea and provides information by symbolic representation, and also enlightens the audience with experiences that fails to reach them And I have known the eyes already, known them all — The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume? And I have known the arms already, known them all — Arms that are bracelet ed and white and bare (But in the lamplight, downed with light brown hair! ) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl.
The Essay on Prufrock Reader Man Poem
... real world will save him. In Elliot's masterpiece "The Love Song of J. Alfred Prufrock," as time passes so does the human spirit of ... Prince Hamlet which in itself is a ridiculous comparison. The reader realizes that he is more like Polonium before he does. ... by a simple pin- [They will say: "But how his arms and legs are thin!" ] This insecurity is definitely a hindrance ...
And should I then presume? And how should I begin? Elliot throughout the poem addresses the longing for companionship Prufrock seeks as he engages with the women of the society. The passive behavior in young middle aged men still exists today but Elliot’s poem re-presents it in a way that is still refreshing and re-enforcing to the modern reader. In the first line of the above stanza his persona represents not him but his observation of what inner psychological conflicts middle aged Prufrock goes through when he becomes incapable of wooing a lady because of the insecurities he feels at rejection and not meeting the standards of great personalities such as “Michelangelo.” Individual are unique in their ways and potential to realize one’s self-worth is not through comparison and self-denigration but valuing existing inherent qualities and stepping up to present yourself to others. Prufrock indicates that he is familiar with people who size him up and judge him against some standards that clearly do not correspond with what he considers himself to be, a devalued counterpart. Elliot uses a dramatic/ tragic irony in the first line of the above stanza, where he shows how his observation feels rejection due to his looks as it is deteriorating with age and correspondingly readers see how time passes away causing such transformation. This state of loss is still popular amongst young men today, as they too like Prufrock loose that sense of time while building the courage to approach their potential better half.
The poem does not seek sympathy for the character but rather seems to inform us about such personas that exist in society. It informs us about the slippery slope situation passive lovers find themselves because of their pessimistic approach to life’s event and conclusion. Elliot uses many metaphors, rhymes to illustrate that in the above stanza. For instance, the visual affect of a bug strapped and wriggling on the wall illustrates how insignificant he feels around the women he has always known: “When I am pinned and wriggling on the wall, Then how should I begin ‘ (56), and yet the subject fails to take risk and courage to initiate acquaintance. From this line, we see that Prufrock is reduced to a bug under the scrutiny of his better half; their approval pins him down and renders him unable to ask his question. He is tensed and excited at the prospect of changing his state of affairs, but feels horribly self-conscious, and it frightens him.
The Essay on Beautiful Woman Women Line Walker
A Woman's Place is in the Heart The poems "A Woman Is Not A Potted Plant" by Alice Walker and "I Knew A Woman" by Theodore Roethke both speak about women having an aura about them of beauty and magnificence. In "A Woman Is Not A Potted Plant" Walker uses the metaphor of a plant to explain the nature of a real woman. The image of a potted plant is confined to a small ceramic circle and rooted in ...
The repetition of the lines ‘how should I presume?’ and ‘how should I begin?’ exemplify Prufrock’s inability to commit and his overall pessimistic outlook. In the same line we are also informed that Prufrock struggles with his dilemma of meeting women. The “formulated” benchmarking makes Prufrock incapable of human response because he feels insignificant and helpless as a bug stuck by a pin for collection and examination. This again tells us that society and women in his life have some how become responsible for his insecurities, and so his courage to come out and offer his proposal for a relationship with his women interests’ is therefore debilitated. The image of the ‘butt-ends’ are what he thinks his ‘days and ways’ have being reduced to in order to explain what he does, as the ‘butt-ends’ of cigarettes are what remains after the pleasure of smoking is done.
The debilitating effects of this pleasure in the line are of dissecting, measuring, Prufrock before having to strike up an acquaintance with the subject through a more friendly /formal conversation. Elliot handsomely uses synecdoche for women such as the “eyes” (55) and “arms” (62) that Prufrock claims to “have known” which implies that Prufrock has only a superficial experience with their love. Elliot shows that failed experience of taking the risk has Prufrock has dreaming and fantasizing the sensual aspects of women “arms already, known them all — [… ] white and bare” (55) again subtly indicating the character’s desperation, perversion and exhaustion in matters of the heart.
Finally Prufrock has a series of questions giving an open view to his unsuccessful attempts at women. His insecurities keep him from doing the things he wants to do and unable to express his true feelings to women. Prufrock ponders, “Should I begin”Should I then presume”, and seems to know what he wants to say, but doesn’t have the confidence to put his feelings into words. He constantly self-introspects throughout the poem:” Do I dare?” (38), “So how should I presume?” (54) “Then how should I begin” (59) and the questions further drown him in his depths of isolation. Prufrock agonizes over his social actions, worrying over how others will see him. He thinks about women’s arms and perfume, but does not know how to act.
The Essay on "The Love Song Of J. Alfred Prufrock" By T.S Elliot
“The Love Song of J. Alfred Prufrock” by T.S Elliot is the lifetime of an old age man remembers, which consist of his past failures. Then, he puts them into the context of his meaningless life to try to comprehend the significance and compensate for his loneliness. Through Eliot’s rich imagery and excellent use of poetic language, Prufrock’s explanation of his memories, his ...
The day passes at a social engagement but he cannot gather the strength to act, and he admits that he is afraid. With further self torture through the poem, Elliot at the end gives us readers a caution to not see life go by without taking the risk of asking and approaching the challenges that will eventually place our significance in society.
