Revenge is a theme featured in many modern works today, including novels, plays, musicals, and movies. However, the idea of revenge is by no means a new concept. Since the beginning of time men have done wrongs to each other and retaliated in vengeance. What is up for debate even today is whether revenge is beneficial or injurious to all involved. William Shakespeare’s Hamlet explores this dispute. Shakespeare’s answer on the subject of the morality of revenge is not black and white, but instead many shades of gray.
Hamlet is not a straight answer to the question of whether retribution should or should not be taken; it is an insight into what the positive and negative effects may be when it is taken. Revenge may be good in some cases because it can prevent evil, but it can also do just the opposite if the truth and consequences are not carefully thought out. Hamlet’s quest for revenge begins when he finds out who killed his father through his father’s ghost. The ghost himself gives Hamlet his task, saying, “Let not the royal bed of Denmark be/ A couch for luxury and damned incest” (I, v, 82-83).
Hamlet is extremely intelligent and thorough, making himself absolutely sure that Claudius is his father’s murderer through the use of his play within the play, called “The Murder of Gonzalo” or “The Mousetrap.” The play is almost an exact replication of how Hamlet’s own father was murdered for his crown and is meant to inspire enough reaction in Claudius to show his guilt. When it does, Hamlet knows for certain that vengeance is necessary.
The Essay on Love For Hamlet Ophelia Father Play
Ophelia's madness In William Shakespears' play Hamlet the character Ophelia plays a very interesting and important role in the elaboration of the plot. In the very beginning of the play Ophelia starts off in as what one may say a "healhty" state of mind, very much in love with Hamlet. Also Ophelia was controlled by her father about her relationship with the young prince Hamlet, but was it her love ...
He soon gets his chance, but, unfortunately, does not take it. The king is praying, and Hamlet does not want Claudius to have the chance his father never did, to be “fit and seasoned for his passage” (III, iii, 86) before his death. Ironically, the reader finds out later that Hamlet should have taken his revenge at this point after all: Though Claudius’ “words fly up, [his] thoughts remain below” (III, iii, 98), and he hasn’t really had absolution. After Hamlet misses his first chance at a just revenge the entire play swirls out of control. What Shakespeare presents here is that revenge, when fair, is best dealt swiftly and not put off a moment longer than necessary.
After Hamlet’s missed attempt at revenge, everything that could possibly go wrong does. He accidentally kills Polonium in another attempt at assassinating Claudius, which brings Ophelia over the edge to madness, which results in her death, which promptly inspires Laertes, Ophelia’s brother, to seek revenge against Hamlet. This is Shakespeare’s example of a revenge that should not be taken, one that is unwarranted because the actions were not intentional. The only person at fault is the king, who has murdered a man, married his wife, and caused the man’s son to lose the only person he truly loved. Claudius’ unscrupulous actions continue as he comes up with a plot to aid Laertes in his undeserved vengeance, telling him “revenge should have no bounds” (IV, vii, 127).
Even when Laertes doubts that what he is doing is right, Claudius convinces him to bend to his own will, Hamlet’s death.
The taking of unjust revenge has horrible consequences for everyone involved in the entire play. When the plan to poison Hamlet runs amok, the queen is killed. Hamlet is then given a death wound by Laertes, but not before Laertes is given the same killing injury by Hamlet. When Hamlet is informed by Laertes that the king was involved in everything, he finally completes the revenge that he set out to execute in the first place. Retribution for horrible acts can be beneficial. It can save lives, countries, and feelings.
However, that retribution must be prompt; otherwise it leaves time for more horrendous deeds to be performed. Before action is taken on revenge it must be carefully thought out and determined whether the person is actually deserving of any harm done to them.
The Essay on Hamlet Scenes Laertes Claudius Revenge
Act IV Scene vii 5. a) Show that Laertes' cause parallels that of Hamlet? Just like Hamlet Laertes is not easily or quickly controlled. This is shown when he questions Claudius about everything, until he is fully convinced that Hamlet, not Claudius, is guilty of murdering his father. Claudius then convinces Laertes to have a fencing match with Hamlet, in which the blade of Laertes will be left ...
