The moment Blanche DuBois, Tennessee Williams central character in A Streetcar Named Desire, enters the small New Orleans apartment that Stanley and Stella Kowalski share, one can sense exactly what Blanche is, or at least what she chooses to be. In appearance, she is a glamorous, ladylike aristocrat, who is perhaps slightly nervous. She parades about the house as if she is a regal figure, wearing elegant gowns and delicate jewelry. However, this is merely a faade. Although Blanche was once a kind, normal, sweet girl, her very being has deteriorated. Now, all thats left is what she struggles desperately to maintain on the outside.
It is obvious, even as Blanche desperately attempts to imitate a respectable lady, that there is something terribly wrong with her. She even admits it in Scene One: “I want to be near you, got to be with somebody, I cant be alone! Because as you must have noticed Im not very well (page 23) . . .” Although Stella Kowalski, Blanches sister, is not entirely informed of Blanches past, she does not think much of Blanches above statement. After all, Stella reasons, Blanche always complains of such things; its nothing to worry about. In any case, Blanche is doing all right besides her comment; she appears to be very happy, not to mention gorgeous. Then she meets Stanley, Stellas husband.
Stanley, in all his straightforwardness and honesty, seems to pose a strong threat towards Blanche. Blanche DuBois, as the reader soon discovers, has created a sort of glass cube around herself, for protection, and people such as Stanley threaten to shatter that glass cube by learning her secrets. When Blanche has been staying with the Kowalskis for several weeks, she meets Mitch, a friend of Stanleys. In Mitch Blanche sees everything she has hoped for, everything she thinks will bring her back to a normal life. When Blanche was a girl, she wanted the things all young girls want: love, a husband, and a family. Then her young husband committed suicide. “Then somebody caught my arm. “Dont go any closer! Come back! You dont want to see!” See? See what! Then I heard voices say Allan! Allan! The Grey boy! Hed stuck the revolver into his mouth and fired so that the back of his head had been blown away (page 96).” After that, Blanche began her descent into madness.
The Essay on Streetcar Named Desire Blanche Stanley Stella
Tennessee Williams's play A Streetcar Named Desire contains more within it's characters, situations, and story than appears on its surface. Joseph Krutch, author of Twentieth Century Interpretations of A Streetcar Named Desire wrote, "The authors perceptions remain subtle and delicate... The final impression left is, surprisingly enough not of sensationalism but of subtlety" (38. ) As in many of ...
After realizing that she would never have those things she had always wished for, she began to create them out of herself; she began to fabricate lies so complex that even she believed them. Blanche begins to date Mitch and he falls in love with her; its as if Blanches dream might finally come true. Then all is lost. Stanley figures out Blanches secrets. He informs Mitch of Blanches former self-employment as a prostitute. Suddenly everything begins to fall around Blanche just as quickly as she has built it.
Mitch realizes that Blanche has been deceiving him and looks down on her true impure self. It is now that Blanche completely unravels. One feels intense pity as Blanche sinks into the void. In the end, Blanche DuBois of A Streetcar Named Desire is a tragic figure. All she ever desired was a good, clean life. What she acquired was pain, illusion, and a barrel of complex enigmas buried in the deepest catacombs of her soul.
One can only be relieved that Blanche finally emptied her closetful of secrets and came clean. Whether she ever actually got what she wanted or not, at least her torture – and ours – finally came to an end..
