“The Statue”, by John Berryman, portrays the human race to be ignorant
and
uncaring. The poet bares a cynical attitude toward mankind. According
to the definition
of modern poetry, “The Statue”, by John Berryman, is a modern poem.
Modern poets were inspired by Walt Whitman, who changed the form of
poetry
by choosing freestyle, and “abandon[ing] the standard line lengths,
rhymes, and standard
forms of traditional poetry” (Jonvanovich 738).
Capitalization,
punctuation, phrasing,
and sentences are all altered from their accepted form. Capital letters
appear in the
middle of a sentence, and periods appear in the middle of a stanza.
Sentences begin and
end in odd places, and normal syntax is disrupted. Modern poets rapidly
change subjects,
“producing the sense of dislocation that some poets think is
characteristic of modern life”
(Jovanovich 739).
The content of modern poetry also differs greatly from that of previous
styles.
Many modern poets have adapted a cynical outlook on the world.
According to
Jovanovich, the poetry is experimental and often dark, with anger
The Term Paper on American Poet Poetry One 8211
"69 Hidebound Opinions" By C. D. Wright Essay," 69 Hidebound Opinions" By C. D. Wright 69 Hidebound Opinions, Propositions, and Several Asides from a Manila Folder Concerning the Stuff of Poetry Every year the poem I most want to write, the poem that would in effect allow me to stop writing, changes shapes, changes direction. The poem never sleeps unless I do, for if I were to come upon it ...
directed toward society
in general. Topics can include “the lives and perspectives of the
disillusioned, [and] the
outcast” (Jovanovich 575).
Poets realize how “alluring, but how
destructively false [are]
the values and appearances of the few at the top of society” (Jovanovich
575).
Modern
poetry is also rooted in French Symbolism, which portrays different
things, such as
material objects or the seasons to be symbols of something deeper.
Another important
element of modern poetry is the poet’s perception of reality. According
to Ellmann, the
modern poet questions reality and is unsure of the objective world.
Poets wish to express
“how important individual perception is in shaping reality” (Jovanovich
574).
The form of “The Statue” shows John Berryman’s break away from
conformity.
Berryman himself said he wanted to write “big fat fresh original and
characteristic
poems” (Bayley 86).
Gary Arpin claims Berryman is fascinated with
technique.
According to Diane Ackerman, Berryman’s grammar use is different than
that of any
previous poets. Capitalization is found in the middle of a sentence and
in the middle of a
line. For example, the word “Respect” is capitalized in the middle of
the sixth line of the
second stanza: “For the ultimate good, Respect, to hunger waking.”
Punctuation in “The
Statue” is also different than that found in traditional poems. For
example, Berryman
chooses to leave out commas in the sixth line of the sixth stanza:
“These thighs breasts
pointed eyes are not their choosing.” Berryman chooses to end his
sentences in strange
places. He places a period in the middle of the first line of the
fourth stanza:
“Disfigurement is general. Nevertheless.” According to Arpin, Berryman
experiments
with syntax. “A deliberately ruptured syntax quarrels with the unbroken
surface of style”
(The Times Literary Supplement 67).
In the sixth line of the second
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World War I was the first major war in which virtually every country took part. Because of the large number of countries involved in this war, there were many casualties by the time everything returned to normal. This war had a long lasting impact on just about everything. During the four years of the war (1914-1918) the number of known dead has been placed at approximately 10,000,000 and about ...
stanza, “For the
ultimate good, Respect, to hunger waking,” the word “hunger” is stressed
by placing it in
front of the word “waking.” These examples show that grammar is an
important part of
modern poetry.
The stanzas in “The Statue” shape the modern poem. Berryman wrote
seven
eight-line stanzas. Joel Conarroe notices a pentameter form is
interrupted in each stanza
by the fourth line, which has a tetrameter pattern. For example, line
three of the third
stanza says, “To spend its summer sheltering our lovers,” while line
four says, “Those
walks so shortly to be over.” Conarroe also says that each stanza in
“The Statue”
completes a thought, and Berryman changes subject quickly from one
stanza to the next.
Stanza one is about the sad condition of the world, stanza two is about
yearning for
tomorrow, and stanza three is about romance. Berryman changes subjects
so rapidly to
symbolize the disheveled state of modern life.
“The Statue” is also defined as a modern poem by its content. One
major subject
in “The Statue” is the difference between a poetic view of mankind, and
a worldly view
of mankind. Poets, according to Conarroe, look at mankind cynically.
This is
exemplified in the first stanza, when the statue, “looks only, cynical.
. .” at the city filled
with disappointment. The poet is also tortured. He can not share his
feelings with the
world about, “Wise resignation and world-weariness” (Conarroe 28).
The
statue is also
trapped; he can not express himself either. According to John Bayley,
“The Statue” is
calling out to humanity, but no one will listen. Arpin says that
Berryman wrote “The
Statue” and other poems because he felt a loss of trust in his fellow
man, and a loss of
being cared for by his fellow man. “The poet, rejected by all but
fellow poets, is forced
by hostile environment to the edge of madness” (Arpin 21).
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Ralph Waldo Emerson states in The Poet the question, which is what is the poet? He says that all men express their feelings, but what makes a poet is that he has more ability to express his own. For example, a poet would express the beauty of nature well, while men who are less expressive cannot give nature the worth it should be given, related to reality of course. A poet would talk, as well ...
The worldly view of mankind is different than the poetic view.
Berryman feels
that the people of the world are too materialistic and oblivious to
really understand each
other. He speaks of a world that has been ruined by man’s selfishness.
The city that the
statue looks upon is ravaged by defeat, failure, and frustration.
Berryman thinks mankind
is doomed because of its coldness. He also speaks of lovers, whose
“happiness runs out
like water,” because they truly do not care for each other, but the
statue can see. The
statue, “has become a visionary figure that can see when those around
him are blinded”
(Arpin 19).
Man’s attitude causes the poet to express his viewpoints in
modern poetry.
“The Statue” has elements of French Symbolism, which helped to start
the
modern poetry movement. In French Symbolism, common objects or elements
are
viewed as symbols of something deeper. The statue is the symbolic
center of the poem,
according to Conarroe. The statue symbolizes, of course, the poet. It
represents the poets
feelings and emotions. The statue represents a constant, while
everything else is
changing. It also represents pain, as it is falling apart, like the
poets hopes and dreams.
Winter is used as a symbol to develop the modern poem. According to
Arpin,
Berryman sees winter as loneliness and desolation. Winter brings the
destruction of
happiness and contentment. When Berryman says, “Winters have not been
able to alter
its pride,” he is referring to winter as a destructive force that must
be overcome.
Spring and Summer are also used as symbols in the development of the
modern
poem. Berryman portrays these warm, cheerful seasons as a home to
lovers. However, it
is only temporary because, “Their happiness runs out like water, of too
much sweetness
the expected drain.” Berryman even looks at Spring and Summer
cynically, saying they
hold false hopes for lovers. “They trust their Spring; they have not
seen the statue.”
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Lesley Spodek 02/07/00 A Representation of A Teacher In the film, Dead Poets Society, Professor John Keating sets an example for all future educators. He takes a different approach to teaching or being a teacher by expressing the need for students, people of all ages, to take risks in life. By taking risks in life he not only refers to bungee jumping or skydiving, he refers to taking risks in ...
People of the world are even oblivious to their relationships.
The last element of modernism in “The Statue” is man’s perception of
reality.
The poet sees reality in a different light than other men. Ellmann says
the poet questions
reality. This is evident throughout the whole poem, as the statue tries
to establish his
existence in this unstable world. John Bayley says that Berryman feels
the need to
establish his existence as a poet through the statue. According to John
Arpin, Berryman
fears the future, because he does not know what it holds. Jovanovich
says that individual
ideas are very important in the way one sees reality. In order to
discover himself and
reality, Berryman must “cut himself [the statue] off” from the rest of
the world (Bayley
80).
The worldly perception of reality also greatly differs from the poetic
perception.
Once again, Berryman feels that people are too materialistic, this time
in their view of
reality. Joel Conarroe says that Berryman feels that man is too
materialistic to understand
reality. Berryman believes that man is “animal”, and can only function
on the surface
level. They are oblivious to their fate. He says that their happiness
will soon run out, but
they are too “blind” to realize what they are doing. Man has a false
perception of reality.
“The Statue” by John Berryman shows the differences between the poet
and the
rest of the world. It portrays the coldness of mankind, and the
bitterness of poets.
Because of form and content, “The Statue” by John Berryman is a modern
poem.
Works Cited
Ackerman, Diane. “Near the Top a Bad Turn Dared.” Modern Critical
Views. p. 101.
Arpin, Gary. The Poetry of John Berryman. New York and London: Kennikat
Press
Corporation, 1978.
Bayley, John. “John Berryman: A question of Imperial Sway.” Modern
Critical
Views. p. 71.
Conarroe, Joel. John Berryman: An Introduction to the poetry. New York:
Columbus
University Press, 1977.
The Essay on Appearance Vs Reality Of Modern Music Affect On Teenagers
Appearance vs. Reality of Modern Music Affect on Teenagers In today's society the teenager has had more rights than ever before, along with these rights comes responsibility, independence and good judgment. All of those mentioned have been destroyed in many teenagers lives by these " Rock Stars'. The modern teenager is exposed to many different things that may affect their lives as they choose to ...
Ellmann, Richard,ed. and O’Clair, Robert,ed. The Norton Anthology of
Modern
Poetry. New York and London: W.W. Norton and Company, Inc., 1988.
Harcourt Brace Jovanovich, Publishers. “Literary Modernism.” Adventures
in
American Literature. p. 574.
Harcourt Brace Jocanovich, Publishers. “Modern Poetry.” Adventures in
American
Literature. p. 738.
The Times Literary Supplement. “The Life of the Modern Poet.”
Contemporary
Literary Criticism Vol. 3, pp. 67-68.
