Tibetan Culture and Art Tibetan culture and art possess a history of more than 5, 000 years, and the Tibetan Buddhism has had the greatest influence on this culture. The development of Tibetan culture and art proceeded through four stages: prehistoric civilization before the 7 th century; cultural stability during the Tubo Kingdom; high development during the Yuan Dynasty; and the height of cultural achievement attained during the Qing Dynasty. The prehistoric stage includes all development from the ancient civilization that appeared during the New Stone Age some 5, 000 years ago to the founding of the Tubo Kingdom in the 7 th century. A salient feature of this civilization is the founding and development of the Bon, an animist religion. Findings from the ruins of the Ka rub New Stone Age Site in Qam do and rock paintings found in Ngaui, which have been dated from all periods from the late Old Stone Age to the Tubo Kingdom in the 7 th century, all display a concentrated expression of the achievements of prehistoric civilization and reveal the budding of prehistoric art. The Tubo Kingdom in the 7 th century was an important period which witnessed the creation of Tibetan writing and the spread into Tibet of Buddhism from India and China’s Tang Dynasty.
Collusion and mutual assimilation of different cultures and arts constituted a major feature of this period. Cultural and artistic achievements made during this period of time include the Jokhang, Ramoche, Changzhug and Same monasteries. These monasteries are a combination of architecture, paintings and sculptures, the styles of which were disseminated in accordance with the world model of Buddhism. The major architectural features of these monasteries were built using a style unique to Tibet, and also incorporating influences from India and the Central Plains of the Tang Dynasty. A unique culture was thus created and firmly planted in the soil of Tibet. During the Yuan Dynasty (1271-1368), the culture and art of Tibetan Buddhism developed rapidly.
The Essay on Reflecting on culture and arts
Reflecting on Culture and Art Native American Indians and pottery, turquoise jewelry, and paintings of Indians come to mind when some individuals think of American culture and how it relates to art. The Indian’s daily lives once included many forms of art, such as hunting, and tribal communication via story telling or smoke signals. When listing these art forms, one realizes art is much more than ...
Tibet’s first encyclopedia-like catalogue on Gang yur and Dang yur of Tibetan Tripitaka was compiled; Buddhist masters who played key roles in the development of Tibetan culture and art, including Sagya Pandit Gong gar Gyaincain, Purdain Rinqenzhub and Zongkapa, emerged. Works of historical significance created during this period of time include the History on Buddhism by Purdain, the Green Annals, the Red Annals, the New Red Annals and the Records on Five Sutras in Tibet. There was an exuberance of literary works, including motto’s, philosophic poems, fables and stories. Classics created during that period of time include Philosophic Poems of M ilha Riba and Motto’s of Sagya, which were very popular amongst the people of Tibet.
Astronomy and calendar making experienced progress, with the Tibetan Epoch founded in 1027. Tibetan medicine branched out into the South and North schools. Architecture, painting and sculpture became increasingly perfected. Architectural works of importance created during this period of time include the Gauge Kingdom city and the Sagya, To ding, Xalhu, Natan g and Pallor monasteries. Major art schools include the Mentang and Gamma Gag zhi Painting Schools, and the Mentang New Painting School.
These painting schools, famous for their salient features and artistic style, exerted a deep influence on the creation of Buddhist art in the Central Plains. Beijing and Hangzhou emerged as the two Tibetan Buddhist art centers of China during the Yuan and Ming dynasties (1271-1644).
The Essay on An Art Criticism of the Painting “Flora”
In the oil painting, Flora (Carrie Mainsfield Weir), by Julian Weir, a well-dressed Victorian woman is depicted, portrait style, sitting next to a small black table. The woman, Carrie, is also holding an array of flowers in her hand and several more stems of flowers are strewn across her lap. A silvery-gray vase sits on the table next to a large bowl filled with flower buds. Behind Carrie is a ...
Use of block making and printing technologies during the Yuan Dynasty injected fresh blood into the propagation of Tibetan Buddhist culture and art. The relative stability of the socio-economic environment and Central Government support for Tibetan Buddhist cultural undertakings promoted the prosperity of Tibetan art during the Qing Dynasty (1644-1911).
Various scientific subjects were updated through the inheritance of traditional culture and the assimilation of the cream of other cultures. Lyrics and novels appeared for the first time, while the development of sculpture, painting and architecture continued. Palaces, castles and monasteries were blended organically through ingenious construction. The Po tala Palace and The Nor bu Lingua, is a unique integration of Tibetan and Chinese architectural styles.
It is hailed as a pioneering move in the creation Tibetan garden-like palace art.
