In most cases, the interiors you design should speak for themselves. But often a brief concept statement–typically, no more than four to seven sentences–can help the reader understand what you are trying to accomplish in the room. In this concept statement, you should highlight the elements that make up the design, as well as establish your reasoning for choosing each of these elements. Urge the concept statement reader to look deeper than the paint or flooring to better understand the meaning behind the design of the space. Instructions
Describe what you want the design to convey. Are you trying to give the space a warm, cozy feeling or something cold, metallic and futuristic? Let the reader know and understand your concept. Describe the elements that go into your design. Basically, explain what you did for this room and why you did it. Give an explanation for your fabric choice, lighting design, color scheme–anything you want the reader to know about the room. Give some background into where you got your inspiration. This will help your reader get a sense of what the design is actually about.
Adding a little hint about where you drew your inspiration might even help readers conjure up their own imagery and increase their understanding of the space. Use descriptive language and visuals to give power to your statement. Don’t simply say something to the effect of, “I used shag carpeting because it is retro.” Try something more like, “Beneath your feet the shag carpeting can transport you to another time.” You want to give your reader a real “feel” for what the design is about. Edit and revise as necessary to make your statement as powerful as possible. You only have four to seven sentences to perfectly encapsulate the concept behind the project that have you have probably spent quite a lot of time working on. Remove unnecessary language to be sure each word you include in the statement packs a punch.
The Term Paper on Engaging the reader in The Red Room & The Signalman
“How do HG Wells and Charles Dickens intrigue and engage the reader in ‘The RedRoom' and ‘The Signalman'?”‘The Red Room' by Wells and ‘The Signalman' by Dickens are two examples of classicGothic literature. They use alike and quintessential techniques to build mystery andheighten tension of the immediate questions posed in the opening pages, to engage andintrigue the reader. They start by setting ...
