I attended the University Symphony Orchestra’s ‘An Evening of Handel, Schubert, and Haydn’ on Thursday, September 30, 2003 in the Daniel Recital Hall. The hall was much more crowded than I expected. At the beginning of the concert, the orchestra was seated on the stage; the men wore tuxedos, and the women wore black dresses or pants. The concertmaster came out to tune the orchestra, and then the conductor made his entrance and gave a brief description of the piece that was about to be played. George Frideric Handel’s Overture to Music for the Royal Fireworks was composed during the Baroque era. It has a homophonic texture and its genre is a suite.
There is a wide variety of instruments (aerophone’s, chordophones, and membranophone’s) used in this piece. Among the wind instruments (woodwinds and brass) heard were bassoon, oboe, French horn, and trumpet. The strings played included the violin, viola, cello, and double bass. Finally, the percussion instrument used for this piece was the timpani.
This movement is broken down into four sections by tempo: Adagio, Allegro, Lentement, and Allegro. The Adagio section begins with a slow introduction at a mezzo forte dynamic. This section is in a major key and set in quadruple meter. It has a wide range and an ascending melody. There are brief cadences and the section grows in a crescendo. The loudness and energy of this section holds the attention of the listener and creates a proud and joyful mood.
The Essay on Mccormick Duo Piece Concert Instruments
On Monday September 8, 2003 at 8: 00, I had the opportunity to attend "The McCormick Duo" held at the University of South Florida in the building FAH 101. This concert was the first concert held this year by the School of Music. As I walked into the building I could tell that all the attendees were mostly people who had attended these concerts often because, of their conversations about past ...
The Allegro section begins at a mezzo piano dynamic level, and is in triple meter. This section is played in a major key, and is largely conjunct in movement. The melody has an ascending shape as it moves in a crescendo. The fast tempo of this section creates an exciting and energetic mood.
The Lentement section has a slow pace and is played in a minor key. It is homophonic and in duple meter. The tempo creates a smooth and relaxing mood. This section features a decrescendo and is conjunct with a relatively narrow range.
Finally, the Allegro section is repeated. Schubert’s Symphony No. 8 in B minor was composed during the Romantic era. The instruments heard include the trombone, flute, oboe, bassoon-members of the aerophone family-as well as the violin, viola, cello, and double bass-all chordophones.
This piece has an overall homophonic texture. The genre is a symphony, which is divided into two movements: Allegro moderato and Andante con mo to. The Allegro moderato follows sonata-allegro form. There are two themes presented, and the movement is in triple meter in a minor key. It begins at a soft (piano) dynamic level and grows in a crescendo. It is generally conjunct with a narrow range that eventually expands into a wide range.
The softness opening creates a dramatic atmosphere filled with emotion. This movement illustrates a recapitulation-the restatement of themes, since the main two themes recur throughout the piece. Joseph Haydn’s Symphony No. 94 in G major (‘Surprise’) was composed during the Classical era.
It is a symphony with a generally homophonic texture. This particular piece is performed with a wide variety of instruments, which include aerophone’s (French horn, bassoon, oboe, trumpet), chordophones (violin, viola, cello, double bass), and membranophone’s (timpani).
The Research paper on Neo-conservatism Movement
The neo-conservatism movement is a political school of thought that surfaced in the United States in the modern political era. It advocates for the use of American economic and military power to push for the implementation of liberalism, the ideals of democracy and respect to human rights and freedoms in nations outside the United States (Stelzer 3). The neo-conservatism movement differs from ...
This symphony has four movements: Adagio cantabile-Vivace assai, Andante, Menu ette, and Finale. The first movement begins with a slow introduction and then proceeds at an quick tempo (allegro).
This movement has changing dynamics; it begins piano, then rises to mezzo piano.
The melodic shape is ascending, in a crescendo. Its form is sonata-allegro, beginning in triple meter and then changing to compound meter in the Allegro. There are two themes presented in this movement, both with wide ranges. The many distinct cadences create an air of spontaneity, leaving the listener unable to predict what will come next.
This movement has a peaceful but exciting mood. The Andante has a theme and variation form (A, A 1, A 2, A 3, A 4).
It is in duple meter and all variations are played in a major key except A 2, which is heard in a minor key. The movement has a wide range and is rather disjunct. The shape of the melodies changes between ascending and descending, and the dynamics are also changing. It begins piano then shifts to forte suddenly (the “surprise”).
There are many variations of the theme, and these are usually played pianissimo. The Minuet and Trio movement is three-part, or ternary (ABA), and in triple meter. It has a dance like melody, which creates a happy, cheerful mood. This melody begins with a rather narrow range, then expands to a wide range. There are fewer instruments played during the trio than the minuet. The dynamics are mezzo forte, swelling in a crescendo.
The Finale movement is in duple meter and is played in a major key. It flows conjunctly with an ascending theme. There are a few distinct cadences in this movement, and there is a frequent return of the main themes. This movement is played in a very fast tempo, making the mood cheerful and exciting. I enjoyed the concert and was really surprised at how the organization and the performance took place. As this was my first classical music concert, I was intrigued to see how the concertmaster came out to prepare the orchestra and to see the conductor of the first work play in Schubert’s ‘Unfinished’s symphony.
All in all, it was a very positive experience.
The Essay on How did reform movements from 1815 to 1850 change America?
Reform movements from 1815 to 1850 tried to change America. Women’s rights movements, education movements, and thoughts of abolition were main inspirations. Women’s rights movements were becoming more common. More women than ever were coming together to protest. The Seneca Falls Convention was the first organized women’s rights movement. When women went to other conventions they ...
