More often than not the abstract artists is not imitating nature or pursuing realism, but concerned with the spiritual or emotional state of colour and form, line and texture, balance and harmony, and will attempt to engage the viewer in a way that narrative, realistic of naturalistic art cannot.?
*Christo – The Umbrellas, Ibaraki, Japan, 1984-91
We often understand abstract only when we have experienced the artwork directly and realized that in a poetic way of our lives have been changed, as has our comprehension of what art can be and do. The artists’ personal, moral and artistic imperative seems to be to only connect the elements of art and nature such as light, space and colour. An Abstract connects art and engineering to show that they are not enemy faculties, connect people with beautiful materials and structures, connect people with their past and present.
Christo’s art is the creation of temporary, beautiful objects on a vast scale for spe
Both artists Chisto and Gascoigne have the nature as an important role of their artwork. All of them blend into the nature in several ways, linking the reality of the objects into the nature. Connecting people with beautiful materials and structures with spiritual or emotional state of colour and form, line and texture, balance and harmony.
The lesson of found object and ready-made art has long been to look at the random, unframed beauty of the world, teaching us to find beauty and art in coincidence. Gascoigne’s found materials are seemingly maverick. Yet these fragments were once part of larger patterns of road signage. Gascoigne’s art is not self-reflexively on the nature of art but rather on the experience of seeing itself: on how we encounter the material world in late twentieth-century Australia.
The Term Paper on Modern Art 3
Abstract Expressionism was an American post-war 2 art movement that developed mainly in New York. The most renowned artists were located in New York and though the movement was broad and the many works of art very different, certain characteristics are observable in the development of the movement. These similarities lie in the artists’ ideas and concerns that were generally related to the human ...
