It is nearly impossible to imagine that one day you can be safe in your home and with all of your belongings and the next day a hurricane leaves you with nothing. Unfortunately, the 484,000 people who lived in New Orleans had to experience those unimaginable thoughts first hand in 2005 due to Hurricane Katrina. “An entire city was nearly wiped off the face of the earth” (Kellogg) and at least 1,833 people were killed during and after the storm.
There are many theories and conspiracies of what happened with the levees and what could have been done better in order to help the residents of New Orleans. Director Spike Lee felt very strongly about the issue and decided to make a documentary in order to give the people of New Orleans justice. By directing When the Levees Broke, Spike Lee gives the audience his personal view on the entire situation dealing with Hurricane Katrina and her aftermath. With his use of video editing and choice of certain interviews, Lee gave not only emotional credibility to his movie but also a logical point of view.
The main argument of the documentary was to explain the series of events that occurred during and following the storm, while also getting the inside point of views of some of the Hurricane Katrina victims. Another argument Spike Lee was trying to make Cruz 2 was that there was a lot more to the disaster than just the storm. I do believe that Lee did a good job in getting his point across in his documentary but I do not believe it was a very strong argument. The argument is not very convincing because not everyone’s view was included in the film.
The Essay on Trade Winds Hurricane Storm Tropical
Hurricanes are powerful atmospheric vertices that are intermediate in size. Hurricanes are unique and powerful weather systems. The word "hurricane" comes from a Caribbean word meaning "big wind." Views of hurricanes can be seen from a satellite positioned thousands of miles above the earth. Hurricanes originate as tropical disturbances over warm oceans with trade winds. The tropical turban ces ...
It seems that Spike Lee was very biased while making the documentary and had no problem with expressing it in his film. Though I do somewhat agree with Lee’s point of view, I do not believe that it was a very well rounded argument. In his documentary, Lee confronts the underlying problems that occurred at the time of the hurricane such as racial, cultural and political issues. By adding so much information about what was actually occurring during Hurricane Katrina in his film, Lee made a very well put together documentary.
Lee’s purpose of making the film was to give the victims their chance to speak out and to show “how the poor and underprivileged of New Orleans were mistreated in this grand calamity and still ignored today” (Chisholm).
Lee is a very passionate and outspoken man and he conveyed his message in a way where the victims had the upper hand and could speak on the real issues. Had Spike Lee not been so biased, I think both his argument and documentary could have been excellent. Spike Lee used the Aristotelian appeal of pathos the most throughout his documentary in order to catch the audience’s attention.
The way he incorporates certain cultural music and photos of the aftermath of Hurricane Katrina make the audience more inclined to pay attention. The collection of photographs Lee features in his film not only let us see what was happening during Hurricane Katrina, they also “add texture and even further weight to these stories” (Kellogg).
He does this on purpose in order to make the audience feel sympathy towards all the people who were interviewed as well as those Cruz 3 who passed away due to Hurricane Katrina.
The best way Lee kept the attention of the audience was by “allowing the people who lived through the disaster to tell their stories” (Kellogg).
The viewer is more likely to pay attention if they are stimulated emotionally and that is what Spike Lee aimed for. He also shows the audience how the “evacuation process separated parents from children as people were loaded onto buses,” by doing this, the audience gets a more in depth view of the disaster and is more likely to feel sad and watch the documentary more.
The underlying issue that Lee was trying to explain to the audience was that “the storm was damaging by itself, but that was not the true disaster” (Chisholm).
The Essay on Nichols 2001 Documentary Filmmaker Film
One of the integral things that must be addressed when making a film is the ethics involved. Ethics are a constant issue that have to be carefully considered when filmmaking. This difficult decision-making is highly prevalent in that of documentaries, because of the difficulties associated in filming 'real people' or "social actors, (Nichols, 2001)." More importantly, the issues faced by a ...
Some critics do not believe that Spike Lee was meant to make this film because he did not capture everyone’s point of view. This film is supposed to be about just the victims opinion on what they thought about the situation dealing with the government and Hurricane Katrina. I think he was well fit for the job because Lee’s “films have looked unflinchingly at some of the most polarizing subjects” (Jacobs) nd it was no shock that he made this documentary about Hurricane Katrina. There were many criticisms about the documentary such as; it did not necessarily discuss all of the people of New Orleans and it gave us a bad view of the government. Lee had his own conspiracy on how the levees were blown up as opposed to just being ruined by the hurricane. Lee’s film was also criticized because it “suggested that the explosion assured that the poor neighborhoods be damaged and not the rich developments further down” (Jacobs) and that did not take well with the conservative circles.
Another reason his documentary was Cruz 4 faulty was because it had a very biased standpoint and “Mr. Lee’s documentary boils with anger and a degree of paranoia” (Holden).
The three main topics this documentary touched on were those such as politics, cultural issues and racial issues. There were many complaints within the movie about the government from the victims of Hurricane Katrina. The people of New Orleans were outraged by the “tardy response of the Bush administration to the crisis” (Jacobs).
A large portion of the documentary focused on the lack of help from the government, it explained how a few government officials took longer than normal to help with the disaster in New Orleans. The fact that bodies were still being found after F. E. M. A supposedly searched all the houses was a big concern for the people. F. E. M. A had not been giving the victims the proper care they needed for the amount of time that they had left and that was a very high concern to the people who desperately needed help from F.
E. M. A. George Bush and Dick Chaney were also spoken upon in a bad manner as well because they had more important things to do rather than help the dying people of their own country. Just like most of his other films, Spike Lee made his documentary mostly about race. At one point in the movie it explains how the disaster started the “racist, vigilante atmosphere which gave cops and soldiers carte blanche to shoot on sight ‘looters’” (Onesto) and how they were not afraid to follow through with orders.
The Essay on The Codes And Conventions Of Documentary Film-making
Documentary film-making has a history as long as that of fiction film-making and began in the late 1800s. From the first developments of film cameras many people found the need to ‘document’ the life they saw around them. Film gave rise to a new and very powerful way of looking at the things. Each decade brought with it lighter and easier to use camera equipment, as well as film stock ...
The majority of the people Lee interviewed were poor and black and were treated very poorly. In this film, Lee insinuates that the victims are being treated like slaves and separated from their families. He expresses “the truth of how the institutions of white supremacy and the ideas of racism are woven into the very workings of this system of U. S. capitalism” (Onesto).
Culture is a big deal in Cruz 5 New Orleans; the people consider their culture the most important and valuable thing to them.
A very large part of the New Orleans culture is Mardi Gras and it was a concern of the people whether they should or should not have the celebration the following year after Hurricane Katrina. Mardi Gras is an annual celebration and even the hurricane could not completely bring the residents of New Orleans down. Spike Lee wanted to show that even though the city looked bad, the people of New Orleans still had their high spirits. All the controversy involving New Orleans such as race, politics and culture lured Spike Lee to make a documentary about the hurricane.
Based off his previous films Lee was fit to make this film and did a good job in conveying his message. With this use of enhanced photography and video editing Lee was able to make an informative yet captivating film that showed the other side of the story. In his documentary, we can finally “put human faces on the devastation” (Jacobs) and realize that these people were once like us in their homes. His film not only allows us to see what occurred in August of 2006, but it lets us hear the individual stories and realize what we were not told by the government.
The documentary gives us the victims view of the disaster and it makes the viewer more aware of the devastation that the people of New Orleans had to face. By making this documentary, Lee not only helped explain the troubles of the victims of Hurricane Katrina but he also let the people come out and express how they felt during the evacuation and rebuilding process.
The Essay on Horror Movies People Movie Films
"Natural Born Killers," Psycho," Friday the 13 th," and "The Legend of Sleepy Hollow" are all horror films. In these films there is always some crazy person or monster-like character that goes around and slaughters innocent people. And usually, but not all the time the killer is killed at the end of the movie. The media publishes or broadcasts stories that say that horror films influence people to ...
