William Lyon Phelps (1865-1943) was an American educator, literary critic and author. He served as a professor of English at Yale University from 1901 to 1933. His works include Advance of the English Novel and Essays on Modern Dramatists. On April 6, 1933, he delivered this speech during a radio broadcast. His reverence for books was not shared by everyone, especially those in Nazi Germany. On May 10, 1933, the Nazis had staged an event unseen since the Middle Ages as young German students from universities, formerly regarded as among the finest in the world, had gathered in Berlin and other German cities to burn books with “un-German” ideas.
The habit of reading is one of the greatest resources of mankind; and we enjoy reading books that belong to us much more than if they are borrowed. A borrowed book is like a guest in the house; it must be treated with punctiliousness, with a certain considerate formality. You must see that it sustains no damage; it must not suffer while under your roof. You cannot leave it carelessly, you cannot mark it, you cannot turn down the pages, you cannot use it familiarly. And then, some day, although this is seldom done, you really ought to return it. But your own books belong to you; you treat them with that affectionate intimacy that annihilates formality. Books are for use, not for show; you should own no book that you are afraid to mark up, or afraid to place on the table, wide open and face down. A good reason for marking favorite passages in books is that this practice enables you to remember more easily the significant sayings, to refer to them quickly, and then in later years, it is like visiting a forest where you once blazed a trail.
The Essay on The Book Thief Max’s Books
... a disguise for max when the Germans check their house. Max hated the book so much that he ripped ... man while keeping the important book cover. Mein Kampf means “My struggle” in German and that’s what the stand ... the blank pages of Mein Kampf. These two books use juxtaposition to help shield max from the ... in his life. Max knows that Liesel loves books so he thought that communicating to her though ...
You have the pleasure of going over the old ground, and recalling both the intellectual scenery and your own earlier self. Everyone should begin collecting a private library in youth; the instinct of private property, which is fundamental in human beings, can here be cultivated with every advantage and no evils. One should have one’s own bookshelves, which should not have doors, glass windows, or keys; they should be free and accessible to the hand as well as to the eye. The best of mural decorations is books; they are more varied in color and appearance than any wallpaper, they are more attractive in design, and they have the prime advantage of being separate personalities, so that if you sit alone in the room in the firelight, you are surrounded with intimate friends. The knowledge that they are there in plain view is both stimulating and refreshing. You do not have to read them all. Most of my indoor life is spent in a room containing six thousand books; and I have a stock answer to the invariable question that comes from strangers.
“Have you read all of these books?” “Some of them twice.” This reply is both true and unexpected. There are of course no friends like living, breathing, corporeal men and women; my devotion to reading has never made me a recluse. How could it? Books are of the people, by the people, for the people. Literature is the immortal part of history; it is the best and most enduring part of personality. But book-friends have this advantage over living friends; you can enjoy the most truly aristocratic society in the world whenever you want it. The great dead are beyond our physical reach, and the great living are usually almost as inaccessible; as for our personal friends and acquaintances, we cannot always see them. Perchance they are asleep, or away on a journey.
But in a private library, you can at any moment converse with Socrates or Shakespeare or Carlyle or Dumas or Dickens or Shaw or Barrie or Galsworthy. And there is no doubt that in these books you see these men at their best. They wrote for you. They “laid themselves out,” they did their ultimate best to entertain you, to make a favorable impression. You are necessary to them as an audience is to an actor; only instead of seeing them masked, you look into their innermost heart of heart.
The Essay on Fahrenheit 451 Books Fears People
Fahrenheit 451: Bradbury's Fears Fahrenheit 451: Bradbury's Fears Essay, Research Paper Fahrenheit 451: Bradbury's Fears In the book Fahrenheit 451 the author Ray Bradbury is concerned about many things and I think his fears are exaggerated. In the book he writes about a time in the future where firemen were paid to set books on fire. There are many fears that he has that are related to this. One ...
