I have a Curiosity to know about my Indian Art & culture because India, a place of infinite variety, is fascinating with its ancient and complex culture, dazzling contrasts and breathtaking physical beauty. Among the most remarkable features of India, is the arts and culture in particular. The Indian culture has persisted through the ages precisely for the reasons of antiquity, unity, continuity and the universality of its nature. Thus within the ambience of Indian culture one can identify ‘Indian Music’, ‘Indian Dance’, ‘Indian Cinema’, ‘Indian Literature’, Indian Cuisine”Indian Fairs and Festivals’ and so on. | | Fairs & Festivals of India Owing to its religious, cultural and regional variations, India has a large number of festivals and fairs. In one region or the other, festivals happen almost every day, each with an specialty of its own. Most of the festivals are particular events connected with the seasonal changes and garnished with some popular legend. Some festivals welcome the seasons of the year, the harvest, the rains or the full moon. The celebrations are splashed with colour, dances and songs.
Birthdays of divine beings, saints and gurus are also celebrated as festivals. Certain festivals are associated with a particular state of town and others like Diwali, Shivrathri etc are common to most parts of India. Some of the festivals are called by different names and is celebrated in a different fashion in various parts of the country. Only a few of the festivals take place on a particular date. Most of them follow the lunar or solar calendar and hence the exact date of the festivals varies from year to year. There are Muslim, Sikh, Buddhist, Jain, Parsi and Christian festivals but the Hindu festivals are the most. There are celebrations connected with temples, churches and mosques. Besides the religious and seasonal festivals, there are Music and dance festivals which attract the country’s best performers of classical and folk dance, music and theater. INDIAN classical music The word music in India means ‘Sangeeta’, which traditionally meant performing the art of singing, playing of instruments and dancing. Indian classical music originated from Vedic chants or Sama music. This music chiefly consisted of chanting of hymns in praise of the Vedic gods.
The Essay on Indian Music India Called Rag
The music of India is one of the oldest unspoken musical traditions in the world. The basis of for Indian music is ."" Sang eet is a combination of three art forms: vocal music, instrumental music (Indian music). Indian music is base upon seven modes (scales). It is probably no coincidence that Greek music is also base upon seven modes. Furthermore, the Indian scales follow the same process of ...
The musical structure of the chants was characterised by descending order of notes, initially two to five which later was increased to seven notes. Gradually various developments took place and this culminated in the Raga tradition. The Raga (structure of melody) and Tala (structure of rhythm) are the two major characteristics of Indian Classical music. The melody deals with the rise and fall of sounds and the latter deals with the pattern of time beats of Ragas. Tala is the pulse of Indian music. The term Tala is derived from the Sanskrit word ‘Tal’ which means to strike with palms. Early musicians may have employed claps or palm-strokes to mark time in dance and music which later developed into a complicated system of 108 talas of classical music. It is a time cycle that remains fixed through out a particular rendering. Tala, binds music together and offer a regularity that calms the mind. Raga is the basic scale or note-pattern of a melody formed by selecting notes from the thirteen tonal intervals, conventionally established in the octave space. The notes are selected from ascending as well as descending progressions. They are Sa, Re, Ga, Ma, Pa, Dha, Ni in the ascending order and Sa, Ni, Dha, Pa, Ma, Ga, Re, Sa in the descending order.
The Term Paper on Middle Ages Music Form Musical
your gods, and from off your hands. The ultimate origin of music is to locate in time to find out correctly. Music in its modern Western sense has become both a fine art and a fine discipline. Its prime constructive elements are melody, rhythm, and harmony. The music of primitive people and the culture of African, Amerindian, Asians are largely uninfluenced by European developments might lack ...
Frameworks, thus provided by the selected notes function as the ground-plan. Musicians can elaborate Ragas on the basis of this plan and create more tonal patterns pleasing to the ears of the listeners. Ragas in the South mostly have Sanskrit names, unlike in the North, where their names often comes from specific region or from the dialects of regions. Tala and raga varies in each composition. Sometimes Tala is more active and controls the other or vise versa. This depends on the person performing the music. Music is a universal art. The two cultures of the south and the north gave rise to the two modes of singing-Uttaradi and Dakshinadi or Hindustani and Karnatic. North Indian Music offers a variety of forms of music like the Dhruvapada, Khyal, Thumari, Tappa and Ghazal. The dhruvapada is a strictly classical and a slow form. The khyal incorporates into this rigidity, the romanticism of yet another form, the thumari. All these forms follow the same basic tenets of the raga-tala system. The thumari is used quite extensively to accompany the dance Kathak. This is because it incorporates a high degree of emotional and aesthetic content, from the bottom of the heart. The tappa is a lighter form of classical music that is brisk and replete with a variety of phrases, which makes it particularly difficult to render without a good degree of virtuosity.
North Indian music has a wide range of ancient and beautiful instruments, each having a tone quite unique. Some of the more well known are the sitar, the sarod, the rudraveena, the santoor, the flute, the shehnai and the sarangi. Among the percussion instruments are the tabla and the pakhawaj. The tabla is used as an accompaniment to most music recitals. The pakhawaj has a deeper tone than the tabla. Karnatic music has a deeper understanding of ‘notal’ values and their inter-relations. The musician of the south adheres very firmly to the tala cycle. Karnatic music is rigid and deeply spiritual. Thus, taste for Karnatic music has to be cultivated. The dominant element of Karnatic music is the ‘Kriti’; a form of composition with three parts. The literary content of the Kritis or songs, are in the form of offerings. The three great composers known as the trinity of Karnatic music are Shyama Sastry, Thyagaraja and Muthuswamy Dikshitar. Tyagaraja is the most popular among them. The music compositions, ‘Tyagaraja Gana’, ‘Valmikiya Kavana’ and ‘Agumbeya Astamaya’ are said to be unique for enrapturing the human heart. The flute, the violin, the veena, the nadaswaram and the gottuvadyam are among the most well known South Indian instruments.
The Term Paper on Electronic Dance Music
Electronic dance music (also known as EDM, dance music, club music, or simply dance) is a set of percussive electronic music genres produced primarily for dance-based entertainment environments, such as nightclubs. Dance music is generally produced for use by DJs and is most often presented in the context of a DJ mix.[1] So called “DJ producers” often perform live sets of their own ...
Dance in India Dance in India, is rooted in age-old tradition. This vast sub-continent has given birth to varied forms of dancing, each shaped by the influences of a particular period and environment. These pristine forms have been preserved through the centuries, to become a part of our present culture, a living heritage which is both our pride and delight. Nurtured in temples, princely courts or villages, dance has moved into the auditorium of today, bringing pleasure to many more people, in far-flung regions. It is now possible to appreciate the lyrical grace of the Manipuri dance of North-Eastern India in, say, Gujarat. This dance-form arising out of Krishna-bhakti, is sinuous in its movements and romantic in its concept, celebrating a divine theme which is meaningful to people all over the country. Similarly, the sophistry of Kathak, which flowered at the courts of the Mughal princes with its accelerated tempo, intricate foot-movements, and subtle facial expressions, evokes a resplendent past common to us all. The abundant largesse of dance in South India, from the Bharatanatyam of Tamil Nadu, to the Kathakali dance-drama of Kerala, to the Kuchipudi of Andhra, has become part of the melting-pot of culture enriching the life of any Indian today.
For, to witness the strength and vigour of Kathakali as it enacts episodes from the Mahabharata and the Ramayana, is an education in itself. The extremely stylised gestures, the elaborate make-up, the masks and the splendid costumes of these all-male dancers, recreates an incomparable sense of pageantry. Bharatanatyam, the temple-maiden’s dance of devotion, has a classic quality which is as daunting as it is beautiful. The rigorous precision of foot and hand movements, the eloquent range of expression depicted through eyes and mouth, and the total linear consonance of body is exacting and exciting in its perfection. Bharata’s Natya Sastra is the Bible of Indian aestheticians. It says that the Creator (Brahma) created it to give joy in life to the gods who found their cosmic functions to be heavy and dreary. Bharatarmada and Abhinaya Darpana are other important classical works on the Indian art of dance. Kalidasa’s drama Malavikagnimitra, Vishnu Dharmothrara and Agni Purana throws much light on the art. Other important Sanskrit works are Dhananjaya’s Dasa Roopaka, Sargadava’s Sangita Ratnakara, Thulajaji’s Sangita Saramitra, Bala Ramavarma’s Bala Bharata, Haripala Deva’s Sangita Sudhakara, Veda Suri’s Sangita Makaranda, Rasamanjari etc. Tamil works on dance are Bharata Senapatheeyam, Bharata Siddhanta, Bharata Sangraha and Mahabharata Choodamani. In the famous Tamil epic Silappadikaram , there is a reference to eleven varities of dance (alliyam, kudai, kudam etc).
The Term Paper on Indian Film Industry Bollywood
The entertainment industry in India has outperformed the economy and is one of the fastest growing sectors in India. However, it registered a moderate growth of over 6 per cent in 200.The industry is expected to grow from Rs. 166 billion (U.S. $ 3.45 billion) to Rs. 419 billion(U.S. $ 8.72 billion) by the year 2007. Film entertainment is the most popular form of entertainment and it is this ...
It refers to 24 kinds of abhinayam. The Heritage Of Devadasi Dance The Devadasi dance tradition which developed through the temple Danseuses is an important type among the dance patterns of India. Bharatnatyam in Tamil Nadu, Kuchipudi in Andhra Pradesh, Odissi in Orissa and Mohiniyattam in Kerala took shape in the tradition of Devadasi dance. These dance forms grew and developed a classical status. In the Puranas, there are references that a custom of dedicating maidens to the deity in temples was prevalent in India from very early times. They later came to be known as ‘Devadasis’. They were in charge of the music and dance aspects of temple rituals. In India the dancing and singing of Devadasis was an integral part of temple worship. They were attached to temples in various parts of India, like Kerala, Tamil Nadu, Andhra Pradesh, Mysore, Maharashtra, Rajasthan, Gujarat, Bengal, Orissa and Kashmir. It was a common custom in all places that maidens under went a symbolic marriage with the deity before she became a Devadasi. In Kerala, it was called ‘Penkettu’. The Saiva section of Hinduism fancied the Devadasi custom more than the others. The ‘Shiva Purana’ lays down that when Siva temples are built and endowments made for the conduct of the daily rituals, the gift of damsels well versed in dance and song should be made to the temple.
History records the fact when in the 9th century A.D. Raja Raja Chola built the Brahadesvara temple in Tanjore he gifted four hundred Devadasis to the temple. Dance was an important factor in the worship of Siva. He was known as ‘Nataraja’. The 1st items in ‘Bharatanatyam’ called Alarippu and in Mohiniyattam known as colkettu are considered to be dance patterns sacred to Lord Shiva. There is a sloha in praise of Siva towards the end of the text used for colkettu in Mohiniyattam. Devadasis in Kerala are to be found in the Manipravala compositions of the 1st half of the 13th century and later literacy works. Famous dances like Unniyacci, Unniyati, Unniccirutevi and others are described therein as expert exponents of the Devadasi art, attached to Siva temples and residing in their precincts. Most of the stone inscriptions containing references to Devadasis in Kerala, have been discovered from Siva temples. Saiva form of religion has an antiquity of about 4000 years. Though in the beginning the Devadasi institution was confined to Siva worship, as times passed other forms of relegion also adopted the Devadasi tradition. By about the 1st century B.C, the Devadasi system had found a place in Buddha, Jama and Hindu temples.
The Essay on Indian Temple Mound Museum Drill Made
Dr. Julia Sublette ARH 2050 January 23, 2001 Indian Temple Mound In the heart of downtown Fort Walton Beach, Florida lies a magnificent hill of earth created by prehistoric Native Americans as a political and religious center. Built about 1, 400 AD, this structure of earth is known today as The Indian Temple Mound. This temple mound represents one of the most outstanding artifacts left by the ...
Various references in ancient literature gives us an idea of the Devadasi tradition and their dance performances. In Kautilya’s Arthasastra (considered to be written in the 3rd century B.C) there are references to Devadasis and their training in dance. In ‘Mricchaghatiham’ a Sanskrit drama supposed to have been written by ‘Sudraka’ in the 2nd century, the heroine B.C Vasantasena is introduced as a good danseuse. The original ‘Katha-Sarit-Sagara’ (the ocean of story) written in Paisaci language is deemed to have been composed before the birth of Christ. Though original is lost, its Sanskrit translations are available. In the story entitled ‘Alajala’, a dancing girl ‘Sundari’ who performed in temples is mentioned. The earliest and the greatest Tamil epic poems, ‘Cilappatikaram’ and ‘Manimekhalai’ are the main sources of information about the life of the danseuses of Tamil Nadu and Kerala of that age and their special styles of dancing. In the course of time, separate subsects of Devadasis came into being. The duties of Devadasis included dancing as well as cleaning the temples, providing flowers and other items needed for the conduct of the daily propitiations in the temple, cleaning the rice and the articles of offerings to the deity to help the work of the priests.
The Term Paper on Indian Literature 2
Indian literature is generally believed to be the oldest in the world. With vast cultural diversities, there are around two dozen officially recognized languages in India. Over thousands of years, huge literature has been produced in various languages in India. It is to be noted that a large part of Indian literature revolves around devotion, drama, poetry and songs. Sanskrit language dominated ...
In addition, they were called upon to perform dances in the King’s court and serve the palace in general. This variety in their work pattern gave rise to various types with separate distinctive names. The Devadasis known as ‘Basavis’ in Karnataka, are of 4 types. Those who danced in temples were considered the most prestigious and they belonged to the highest class. The Maledavaru indicated the section which took part in dance recitals in marriages and other festivals, while the Maleyavaru prepared garlands of flowers etc. for the temple and the Subyavaru were plain prostitutes. In a village in Karnataka called ‘Basaruru’, Devadasis can still be found. The common word to denote Siva devotes is ‘Basavas’. In Tamil Nadu, those who danced in Siva temples were called Devadasis, those who performed dance recitals in the Kings court were called Rajadasis, and those who gave dance performances in festivals elsewhere came to be known as Svadasis. In Andhra, there were 3 types of Devadasis. The genuine devadasis who performed in temples, those who danced in the court of Kings came to be known as ‘Rajanarttaki’. In Kerala, the Devadasis had a highly respected place in society.
This is made clear from the ancient poetic compositions of Kerala. Devadasis like ‘Chandotravam’ and ‘Sukhasanderam. Kulasekhara Perumal, the ruler of Kerala in the 9th century A.D dedicated his own daughter to the Srirangam temple. So it was not uncommon for maidens from royal or even Brahmin families to become Devadasis. Kerala history has many examples of beautiful and attractive ladies of Devadasi sect being accepted as consorts by kings. It is said that Devadasis, Kandiyiu Teviticci Unni, Cherukarakkuttatti and others had been queens. Uttara Chandrika, the heroine of the ‘Manipravala Kavyam’ of that name belonged to the Chirava royal family. Indian Cinema The Indian film industry is the oldest and the largest in the world with over 1200 movies released annually. The majority of films are made in the South Indian languages mostly Telugu, Tamil and Malayalam, but Hindi films take the largest box office share. Mumbai (Bombay), Chennai (Madras), Kolkata (Calcutta), Bangalore and Hyderabad are the main film production centers. With more than12000 cinema halls, the Indian film industry turn out more than 1000 films a year to hugely appreciative audiences around the world.
The history of Indian Cinema can be traced back to 1896 when the famous Lumiere Brothers’ of France demonstrated six soundless short films in Bombay. By 1899, Harishchandra Bhatvadekar made India’s first short film. This was one of the major milestone in Indian Cinema. Throughout the first two decades, the trend continued with filmmakers. Dhundiraj Govind Phalke who was generally known as Dada Saheb Phalke produced India’s first full length silent film, ‘Raja Harishchandra’, in 1913. He laid the foundation for the beginning of a regular feature film industry in India. By 1920 there was a regular industry bringing out films starting with 27 per year and reaching 207 films in 1931. Many new companies and film makers came up during that period. Indian Cookery Indian cuisine is popular all over the world for its variety, mouthwatering tastes and aroma. It is as diverse as the country itself with its numerous styles of cuisine and its typical regional variations. In almost every country in the world you can find Indian restaurants and hotels representing every kind of Indian cuisine. Some of the most famous among them are the Mughalai, Chettinadu, Hyderabadi Cuisine etc.
Indian Cooking is known for its use of spices, herbs and flavorings. The common ingredients in Indian Cuisine are rice or bread (rotis), a variety of dals (lentils), regional vegetables, pickles, ghee, chutneys, a meat or fish dish. Spices are an essential element to Indian cuisine. The cooking medium is generally oil. The type of oil used differs in different regions. Sweets are usually milk based. Many popular sweets such as Gulab jamun, Ladoo are common throughout India, while many others like Rasbari, peda, burfi, halwa, Malpuwa, Rasgula etc are local favorites. Food is often eaten with fingers, rice or breads are accompanied by vegetables and curries. The tastes and variety of the multiple cuisines from Kashmir in the north to Kanya Kumari in the south, is absolutely mind blowing. Indian cuisine can be divided into two, Northern and Southern Indian cuisine. South Indian Cuisine Cuisines from Andhra Pradesh, Karnataka, Kerala, Goa and Tamil Nadu are all part of South Indian Cuisine. Mostly vegetarian, Rice is the basis of every meal in a South Indian Cuisine and the cooking medium could be either gingelly, coconut or sunflower oil. Coconut is one of the main ingredient in all South Indian food and spices are abundant in south Indian cooking. Spices commonly used are mustard, Asafetida, pepper, curry leaves, peppercorns etc.
Other fragrant spices added are cardamom, clove, cinnamon and star aniseed. Areas with access to waterways rely more heavily on seafood. Saturated with ghee, rice is served with Sambhar, Rasam, lentils, vegetables etc. South Indians are great lovers of filter coffee especially the Madras coffee is popular in South Indian restaurants throughout the world. Made of fermented rice and dal batter, the dosa, vada and the idli as well as puttu made of rice flour are inexpensive south Indian snacks which are popular all over the country. The popular south Indian dishes are Appam and Stews, sea food dishes (Kerala), Mysore Pak, basundhi, jangiri, the semolina-based upma, Milk or wheat based Payasams/ kheers, Hyderbadi Biryani and the Goan vindaloo curry etc. North Indian Cuisine North Indian Cooking is often called Mughal Style Cooking which is similar to the food of the Middle East and Central Asia. With its rich uses of sauces, butter-based curries, dried fruits and nuts, ginger-flavoured roast meats and mind-blowing sweets, it is one of the world’s popular cuisines. A typical North Indian meal consist of chappatis, roti, parantha, pooris and tandoori baked breads like nan etc.
made of wheat. Rice is also popular and is made into biryanis and pulaos. Kashmiri pulao is one of the famous north Indian food. The cooking medium is generally oil, cream, butter or ghee. Sunflower and canola are mostly used vegetable oils used in north Indian cooking. Garam masala is a spice mixture used mainly in northern Indian cuisine. Mutter Paneer (a curry made with cottage cheese and peas), Bengal’s Rasagulla, sandesh, Rasamalai, gulab jamuns, Biryani, Pulaos, Daal Makhani, Dahi Gosht, Butter Chicken, Kheer, Chicken Tikka, Kebabs, Fish Amritsari, Samosas (snack with a pastry case with different kinds of fillings), Chaat (hot-sweet-sour snack made with potato, chick peas and tangy chutneys), ‘makki ki roti’ and ‘sarson ka sag’, Motichoor laddoo are some of the delicious north Indian foods. Indian crafts Indian crafts are known throughout the world for their artistic work and grandeur. The vast cultural tradition and ethnic diversity, has enabled a variety of crafts with different materials, motifs and techniques to flourish in this land. The first references to Indian handicrafts can be found from the Indus Valley Civilization (3000 B.C.-1700 B.C.). This civilization is well versed in the craft of bead making, ceramics, shell etc.
The Mughal era and the Gupta period were also the golden period in the history of Indian craft. Works on woodwork, Pottery, hand looms, terracotta, paintings, beadwork, jewellery and embroidery etc have survived through centuries with fewer changes since it remained integrated with the everyday existence of the locals. The materials that are used may have changed over the years with the advent of modernity, but their technique of production have not changed much. Crafts not only cater to the day-to-day needs of the people but are also used for decorative and religious ceremonies in India. Thousands of craftsmen makes crafts from nature – clay, plants, trees and animals etc. Articles of daily use like chairs, bags, cushions, hats, purses, sofas etc are made from these natural sources. Increasing use is made of recycled materials like wire, plastic and tin. In India, every state has its own unique culture, their own designs, colours, materials in use and individual shapes and patterns which is manifested in the handicrafts of that particular region. For instance, Kashmir is known for its Pashmina wool shawls as well as carpets, silverware, ivory works etc, Assam and West Bengal for their delicate ‘Sholapith’ and ‘Shital Patti’ work; Karnataka for its rosewood carving, sandalwood crafts; and the engraved and enameled meenakari brassware found in Rajasthan, silk materials from Varanasi and Kanchipuram, colourful embroidery, mirror work, quilting and fabric painting from Gujarat etc are some of the unique crafts from the different states.
Certain other regions are famous for crystals and semi precious stones. In India, Craft making and dealing is a major occupation today with around twenty three million people engaged in the field. Indian Literature In every branch or various sections of literature- be it fiction, drama, biography, poetry, drama, novels, short stories, literary criticism, Indian literature has a tremendous variety to offer. Nearly every major Indian language has a rich tradition of literature. Tales from the Puranas, the Jatakas and the Panchatantra folk tales, fairy tales and ghost stories have made India a vast storehouse of literature. Non-Literary work on a variety of themes like law, health, astronomy, grammar, administration also form a part of the Indian literary heritage. India has given birth to it’s own distinct set of littérateurs and literature. The literary tradition in India is primarily oral literature in vernacular languages. This is passed on from generation to generation without manuscript generally sung or recited. It was in the16th century that an extensive written literature appeared. The reason for this changes were the literary predominance of Sanskrit and the emergence of Hindu pietistic movements that sought to reach the people in their spoken languages.
The earlier forms of Indian literature was religious. They include the Vedas, the Brahmanas, the Aryankas, the Upanishads, the Sanskrit Epics- Ramayana and Mahabharatha, the Brahmashastras, the mythological writings known as Puranas. The literature of this period are in Sanskrit Pali Prakrit. Sanskrit literature has a special place in our civilization. It extended from about 1400 BC to AD 1200 and reached its height in the period from the 1st to the 7th centuries AD. The two major epics Ramayana and Mahabharatha, Abhigyanashakuntalam, Meghadutam by Kalidasa, are the best examples. Later in the 14th century, Kabir Das, Surdas and Tulasidas, a poet of the common people were popular. Tulasidas’s ‘Rama-charita-manas’ (1575) is considered as an immortal classic by all Hindus. It is interesting to note that Tamil Literature is supposed to be the least sanskritised among all Indian languages because, it had a classical tradition of its own. Urdu and Sindhi are other exceptions, having arisen out of an Islamic background. Mirza Ghalib’s couplets, written around mid-19th century, Ghazals written by Amir Khusro etc are popular even today. The era of Indian modern literature began in the late nineteenth century.
With the establishment of vernacular schools and the importation of the printing press, a great impetus was given to popular prose, with Bengali writers perhaps taking the lead. Bankim Chandra Chattopadhyaya, Rabindranath Tagore, Premchand etc rank among the world’s best literary figures. Tagore’s own translation of ‘Gitanjali’ into English brought him international fame when he was awarded the Nobel Prize in 1913. His ‘Gora’ is considered to be a very outstanding novel in Indian literature . Some of the prominent modern writers in Indian languages include Premchand, Ageyeya in Hindi; Tarashankar Bandopadhyay, Sunil Gangopadhyay in Bengali; Amrita Pritam in Punjabi; Kaifi Azmi, Ali Sardar Jafri, Firaq Gorakhpuri and Josh Malihabadi in Urdu; Shiv Shankar Pillai, M.T.Vasudevan Nair, Malayattor Ramakrishnan in Malayalam; Subramaniya Bharati in Tamil; Gobind Triumbak Deshpande in Marathi; and Tara Shankar Joshi in Gujarati. Raja Rao, Kamala Markandaya, Nirad Choudhury, Mulk Raj Anand (Untouchable, Coolie), R.K. Narayan (Swami and Friends, The English Teacher, The Vendor of Sweets, Under the Banyan Tree), Anita Desai (Clear Light of Day, In Custody), Manohar Malgonkar, Amitabh Ghosh, Vikram Seth (A Suitable Boy), Arundhati Roy (God of small things), Khushwant Singh (Train to Pakistan), Salman Rushdie (Satanic Verses) as well as other lesser-known literary figures have made significant contributions to the evolution of Indian literature in English.
Indian writers have also made a mark on the international literary scene. Arundhati Roy, who won the Booker Prize for ‘The God of Small Things’, Salman Rushdie who was awarded the ‘Booker of Bookers’ for Midnight’s Children, Raj Kamal Jha, whose book ‘The Blue Bedspread’, commanded the largest advance ever paid to a first-time Indian writer; Vikram Seth whose novel ‘A Suitable Boy’ won the W.H.Smith prize in 1993 and Anita Desai whose ‘Fasting, Feasting’ was a finalist for the 1999 Booker Prize. etc are a few amongst them. So In order to learn my native art and culture while earning is a very ideal situation according to me.