The relationship between parents and their children is perhaps one of the most important relationships among human beings. The relationship between parents and their children can determine the personal growth of children as it can likewise influence the behavioral adjustments needed on the part of parents in order to meet the emotional needs of their children. Max Apple’s “Bridging” highlights how fathers oftentimes desire to fill the void left after the death of their wives just to allow their children to recover from the loss and have their lives return to normal.
Chapter Six of Art Spiegelman’s Maus offers a glimpse of how children tend to draw hatred towards their fathers for attempting to erase the memories of their mothers. Lastly, Jing-mei Woo’s “Two Kinds” in The Joy Luck Club features the story of her childhood under the pressure of her mother to chase the American Dream. All of these stories emphasize the relationship between parents and their children and its effects on the personal development of children and the struggles that parents have to face in raising their children.
In “Bridging,” Max Apple tells the story of a widowed father who struggles to persuade her daughter, Jessica, to trust the world after the death of her mother. In an attempt to bring her daughter back to her original emotional state, her father tries to convince her to join the Girl Scouts. However, this first step eventually fails and her father decides to join the Girl Scouts as an assistant leader, hoping that his decision is a good starting point to bring back her daughter’s trust in the world.
The poem, Little Boy Crying, written by Mervyn Morris is mainly about father and sons relationship. Poet shows the two main themes through this relationship; fathers love towards his child and his effort to lead his child into a right world in life. Mervyn Morris explores the child and parents relationship by using second person narration and language techniques such as allusion and emotive words. ...
The story is essentially about how a widowed father is given the chance to accept the necessarily “changed” relationship with his daughter. Apple’s “Bridging” explores the parent-child relationship theme primarily from the angle of having to survive a family tragedy for the rest of their lives. Apparently, the father faces the task of serving both as the father and the mother of his daughter. It is perhaps a huge task since he has to at least persuade his daughter that he can also play a motherly image in the hopes of patching up the holes in their family left after the death of his wife.
Without a mother, his daughter is deprived of the chance to grow-up under the guidance of two parents. That being the case, there is reason to believe that the father is forced by the circumstances to live-up to the expectations of his 9-year-old daughter, which is exactly why he tried to join the Girl Scouts as an assistant leader. The difficulties of the father in the story, or of any father for that matter, are perhaps more intricate if the daughter is closer to her mother than her father.
The father will certainly encounter the trouble of trying to fit the motherly needs of the daughter no matter the costs are. In Chapter 6 of Art Spiegelman’s Maus, husband and wife, Vladek and Anja, respectively, are trying to sneak their way back to Sosnowiec. Art’s father recalls his experience together with Anja while trying to escape from the Nazis. One interesting part of the story is when Vladek burned the diaries of Anja after her death. They contained some of the most important memories of Art’s mother and yet, as things turned out, they were no longer available for him to read and learn more about her.
Even though Art was growing getting closer to Vladek during Art’s visits to his father, that recollection—the burning of Anja’s diaries—made Art infuriated at his father. It signifies how a father’s child is suffering a great loss at not being able to learn more about his mother, which is made al the more poignant by what Vladek could only remember from the diary: a sentence that says her son would one day be interested in the contents of the diary and read them. Reading the diary of a person is like reliving the life of that person in many ways.
Julia Alvarez’s novel “In the Name of Salome” weaves together the life and spirit of Salome Urena, and her daughter, Salome Camila, through a journey of political turbulence in the Dominican Republic. Throughout her life, Salome describes the chaotic days of rebellions and the calmness of transitory peace between political powers. The book trails the history of the Dominican ...
Art could have learned more about Anja after reading her diaries and, in turn, learning more about his history and his self. However, the act of burning the diaries is like an act of “murder” precisely because Vladek destroyed the remaining memories of Anja, turning her into a barely known human being sought by the one person in this world who feels that she is more than everything in life. The predicament between Vladek and Art relays how the act of depriving a child of the memories of her mother can cast a sharp divide in the relationship of a father and his child to the point of calling the father a “murderer”.
In Jing-mei Woo’s “Two Kinds” in Amy Tan’s The Joy Luck Club, two essential themes come into view: the American dream and the tension between mother and daughter in reaching for that dream. The mother, Mrs. Woo, firmly believes that diligence can eventually lead her daughter to reaching the American dream. However, it is apparent that Jing-mei is not interested at all in pursuing that dream. Her disinterest in pursuing the dream that her mother wants her to attain is best summed up in her expression “[t]hen I wish I wasn’t your daughter.
I wish you weren’t my mother” (Woo, p. 142) after finally breaking her emotions for saying what she wanted to say all along, which is that she does not want to be the daughter her mother is hoping her to become. Jing-mei Woo’s differences with her mother rest on the conflict of their personal interests. The fact that her mother wants Jing-mei to realize her potential in claiming the American dream is the main reason of their misunderstandings as mother and daughter. Their case puts emphasis on the relationship strains caused by no less than differences in personal desires.
At first, Jing-mei was still able to tolerate her mother’s deep desires for her and she complied with her mother’s requests despite showing lack of enthusiasm. Their Chinese culture apparently shows in the initial sections of the story, highlighting the two kinds of daughters that Chinese mothers may have: “those who are obedient and those who follow their own mind” (Woo, p. 142).
Towards the end of the story, Jing-mei tries to retrace her memories with her deceased mother by playing the piano.
... parenting is because of the fact that she put too much pressure on her daughter to succeed. She cared so much for Jing-mei, ... young girl to have a child. This is not a good model for parenting. A mother should have a child at a time when ... "I Stand Here Ironing' by Tillie Olsen. Sometimes children complain about their mothers, each wishing they could have different type of mom. ...
Her act shows that no matter how deep the disagreements may be between parents and their children, there will come a time when the child will eventually learn to appreciate the value of what their parents have always wanted for them to achieve. All of the stories share the common theme of parent-child relationships. These stories teach us that the relationship between parents and their children can influence the perception of these children as they grow into adults.
Moreover, parents likewise face the task of addressing the emotional needs of their children in order to ensure their welfare. Personal losses and desires of parents to ensure a better future for their children both play a critical role in shaping the harmonious relationship between children and parents. Works Cited Apple, Max. “Bridging. ” Free Agents. Harper & Row, 1984. Spiegelman, Art. Maus I: A Survivor’s Tale: My Father Bleeds History. Pantheon, 1986. Woo, Jing-mei. “Two Kinds. ” The Joy Luck Club. Ed. Amy Tan: Penguin, 2006. 142.